Indian Bollywood movies are more and more inferior to South Indian Tamil and other movies, which is fully reflected in this "Queen of Zhangxi".
It's the 21st century, and thinking is still so feudal, it's really too LOW to still sing praises for the feudal kingship.
This, of course, is the pot of Indian religious nationalism that has been a reactionary restoration after Modi came to power. On the other hand, the Bollywood art session Kneeling Modi and his religious nationalism followers filmed a part of the 21st century. The LOW forced movie of thought feudalism.
In particular, it is represented by the three Bollywood period blockbusters of "Queen Padmawati", "Panipat" and "Queen of Zhangxi". Thoughts are not enough, LOW is resisted by Indian religious nationalists. This "Queen of Zhangxi" is so good at it, probably because the thoughts are LOW to the appetite of these Indian religious nationalists.
Queen Zhang Xi was supposed to be a symbol of feminism, but became a defender of feudal patriarchal rights in the movie.
Queen Zhang Xi was originally killed in battle, but in order to cater to the feudal thoughts of Indian religious nationalists, she changed it to the glorious death method in Indian religion: self-immolation.
The peasant rebels and the low-level mercenaries who fired the first shot have become a slogan.
For their own kingship, to follow the bottom of the bottom, and finally because the British government guaranteed their privileges to the Tubang, and then the Tubang princes who betrayed the Indian people were whitewashed and beautified by the film creators.
The worst is the demonization of the British and historical inventions.
The East India Company became the so-called British Governor, and the East India Company reduced the kingship of the Tubang, which became a symbol of oppression of the Indian people.
However, in the real history, it was Britain's economic dumping of the colonies that destroyed India's original small peasant economy, and it was the bottomless people who were desperate to cause this uprising.
In order to protect his feudal privileges, speculation turned the cluttered Tubang prince into a glorious protagonist.
Moreover, the IQ of the British in this film is not as good as the Japanese in the Chinese anti-Japanese drama.
This movie can be regarded as a clear demonstration of why Bollywood movies have begun to decline in the Indian market. The creators have already disgusted Indian audiences in order to kneel and lick Modi and his mentally handicapped religious nationalists.
Although everyone has always complained about the opening of South Indian movies, it is illogical, but when are South Indian movies as disgusting as these Bollywood movies for the value of flattery?
Speaking of which, I really admire the film creators of South India. It’s true that Modi relied on religious nationalism to engage in news censorship and interfere with literary creation, and under the environment of dictatorship and reversing, the Indian government from time to time in movies was really too bad. I can’t stand the bitch of Modi’s silence. Most of India’s appetites, and it’s no wonder why South Indian movies have repeatedly defeated Bollywood in business over the years.
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