Feel 6* intuitively, and 8* after thinking about it. Note: "Male Lead" refers to younger brother
A very weird movie, the most intuitive feeling after watching it is that Ou Rong seems to...Bad it? But after reading a film review that has been liked the most, I have some doubts about the grooves mentioned in it: No, this is not that simple. One, the film review said that the ending was too routine, like a "big internet". The term "net big" is obviously used to gain attention. If the net big is at this level, then this film critic should be at that level. A netizen in the comment area seemed to provide a feasible way of thinking: The heroine's boyfriend is not a psychologist at all. The reason is as follows: In a phone call, her boyfriend said that he "has an emergency department at the hospital tonight", "hospital", and "emergency department". If it is not a translation problem, then this is a very clear implication: the boyfriend is not a psychologist at all. Going back, the closest plot to seeing a psychologist is to check the body. According to the dialogue in the movie: the heroine has seen the doctor no less than ten times, but she hasn't checked it out. So according to this logic, the story may have been unreliable from the beginning of the film. At the beginning of the film, the heroine cut her hair. This set of shots was very theater-like. In other words: this set of shots gave me a sense of falsehood that is derailed from reality. Since this set of shots, the heroine has kept this hairstyle, and reality and fiction have been blurred from here on.
The problem of the story is solved. Let's take a look at the second remark that the film critic said: the problem of values. Sandra’s mother felt sick and angry at the heroine’s strange “behavior” (making love to the hero and brother at the same time, which can be understood as “imagination” from the perspective of the heroine). This is indeed a closed and conservative thought. But when we say that there is a problem with the values of a movie, there must be evidence that the director has clearly implied its correctness. First of all, this movie is a suspense film, and the heroine is even a somewhat "crippled" person. So the criticism of values is self-defeating. If you think about it carefully, this may be a breakthrough. In the film, the heroine imagines her boyfriend's twin brother, whose personality is completely different from that of her younger brother. Why does the heroine have such seemingly unreasonable assumptions? Many of us feel that there is telepathy between twins, and the dialogue in the article also mentions this. The indifferent relationship with the mother, the lonely character, and the incomplete native family have created the delicate heart of the heroine. People are imperfect after all. With this weak psychological resonance with the twin sisters, the heroine conceives a violent brother who is completely opposite to her boyfriend's brother. The heroine enjoys a sense of "completeness", two completely different people are parasitic on the same body. Two factors, the missing father and the lonely and delicate heart, subtly boost this imagination, the more missing, the more longing. Analyzed in reverse, she is missing a lot like the heroine. The lonely person is unwilling to let others spy on her. This also led to her rejection of her strange desire and a conservative psychology. And this self-blame was told from the mother of Sandra, that is, from a substitute for her mother. The alienation of the mother and daughter made the hostess feel strange to her mother.
In fact, the biggest problem with this movie is that the hints are too unobvious. The various explanations I explained above are also emanating from some almost imperceptible details. Ou Rong's writing about sex is too much and even counterproductive. Regardless of whether it is for the elder brother or the younger brother, the sex scenes are naked, and it is difficult to distinguish the real from the false. The suspicions I mentioned above are either too natural in the overall "credible" atmosphere of the movie and are easily overlooked, or they appear at the forefront of the movie and look intuitive. There is no problem, the audience is naturally too late to react.
At the end of the movie, the heroine can have an orgasm while having sex with the male protagonist again (previously, only had an orgasm with the elder brother, but not the male protagonist), the window was broken, and the heroine’s heart knot can also be said to be a hopeless fantasy disillusionment. Up. The heroine’s "illness" may not be cured, and what is cured is just conjecture, and the childhood trauma may not have been affected at all. The last scene of the film is a layer of glass, the overall tone of the music has not changed, it is still so eerie and weird. Behind the glass is the "replica female protagonist", and the image of the real female protagonist is reflected on the glass. Everyone who has attended junior high school knows that the mirror reflection is a virtual image.
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