The opening rhythm preview: The film gradually enters the scary rhythm from the second half, the last quarter is the climax, and those who want to simply pursue the exclamation and excitement can fast forward to this.
Let’s get back to the subject, what I’m least interested in my horror movie preferences is related to religious beliefs. The director is a little bit different from others, and the plot will be very obscure, such as "Genetic Doom" and "Genetic Doom" two years ago. Last year's "Midsummer Nightmare", I still remember the scene when I watched "Genetic Doom": alone, dusk, office, back facing the huge transparent glass door, and there was a gale outside the house. . . At that time, it really scared me.
The pace of the film's entry is fairly fast. The whole film is full of thick "Genetic Doom" stalks, from mothers, to heroines, to priests, and then to the girl who gets a sweater and Michael. Because of hereditary doom, but such frequent scenes are really inferior to the horror of the few minutes of "random knife piercing" in hereditary doom.
The evil spirit is possessed by the flesh, flashing in the reflection, the phantom appears in the mirror, on the ceiling, and on the loved ones who are thinking about you. The hallucinations often reverberate around, and the heroine shouts hoarsely, like this Visual and auditory shock coupled with BGM special effects is simply a side story of genetic doom.
Forgive me for the extreme resistance to religious evil spirits in my heart, so I won't delve into the plot and the background of the film. As far as horror movies bring shocking features, the movies are still worth watching. At the end of the film, after the evil spirit Xiao called and rushed towards the hostess, my room door was knocked, and the elder brother next door said, "Young man, what are you looking at? I'm scared to death by this sound, can you? Please bring headphones."
Ignoring the plot, in the context of this year's production cut, this is a childish and qualified scare horror film.
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