After reading the hot one just now, I can only try my best to capture a little bit of inspiration and thoughts flying through my mind:
f**k thousands of times
Soon after the film started, I noticed that the national curse of "f**king" in the line was not too much. No matter what status or age, from street gangsters to middle school principals, childish little girls to dying old men, everyone will take this word when they blurt out. Almost every line of the whole show will be accompanied by "f**k". I haven't paid attention to counting. If it occurs ten times per minute, it should be f**k at least three thousand times :).
On the contrary, as the absolute protagonist of the show-Wayne, who doesn't talk a lot of cruel words-has never said a word of swearing.
The director here should be deliberately designed to create a sharp contrast and create the character of Wayne. Wayne is the character who has the most fucking life, but he has never said a word of f**k. The way he does things is: staring at the target → clenching his fist → hitting it with a hammer. It's kind of cool and heart-wrenching.
Xiao Hei is simply the light of the whole film!
I have to say that the two people of Orlando and Jay completely supported the comic effect of the whole show, especially afterwards, the match between Xiao Hei and the principal group, and Da Hei and the police officer group was really perfect! It's both grown-up and funny. Although I can't tell the grand meaning of their characters for the time being, cuteness is enough by itself, isn't it?
Wayne and Batman don’t have half a dime relationship==
I was too influenced by Batman, as soon as I saw the title: Wayne = Bruce Wayne:)
I was sloppy, I want to apologize
There are a few things that confuse me at the beginning
Why did the handsome Wayne smash someone's glass as soon as he came up, and still lay down and be beaten all the time? At first I thought it was because he didn't feel like James, and he was not worth it in the world (-.-)
At the beginning, I didn't explain how Wayne fell in love with Del, which puzzled me for a while! Oh, I’m still thinking about how to make a boy like Wayne be my boyfriend, can I just sell a cookie?
But later it became clear that Wayne was a kind, just, and fateful young boy, and things that couldn't be past were resolved by violence. (Actually, he has been guarding Del silently for a while, and I’ve caught the candy here)
Subject?
Unlike to fuck the world, Wayne did not say a concise and sublimated chicken soup literature at the end, but finally struggled to pick up Del's necklace and secretly hid it in his mouth. I like this ending very much, but the disadvantage is that I have to write the subject myself again: (
In my understanding, this drama is an American growth story with violent aesthetics added, which is somewhat of mutual salvation. I am very fond of the script of two people in the quagmire supporting each other and looking up at the starry sky. Tragic experiences, especially the tragic childhood, always make people empathize.
To write this paragraph, Forgetful Blair went back and relived the last five minutes.
To be honest, my favorite of the whole film is the penultimate act at the end. The dying Wayne and the incoherent Del, the two are racing on the old and beautiful highways. Del finally knows that Wayne's love for her is not a whim, but also direct. I lost my love for Wayne. Wayne was seriously injured, and the two seemed to be seeing each other for the last time. Del going madly laid the groundwork for the phrase "I love you" she wanted to say. Wayne quickly paid attention to her, and he was groggy without a word. Del said those three words before.
The restrained love is so touching, contrasted with silence, contrast with bloody violence, contrast with indifference and miserable destiny!
last but not least
Wayne is so handsome! The more you look, the more handsome!
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