As Leroche’s most well-known works, the delicate and clear expression between men and women, the editing method of the stream of consciousness, the disorderly switching of black and white and color pictures, the combination of a large number of characters’ voice-overs and the pictures, are all very avant-garde and avant-garde today. The image and creativity are breathtaking. Regarding the creativity of images, the 1960s and 1970s were undoubtedly the most vigorous and radical. The French New Wave players lead image creators from all over the world to open up the frontiers of movies without hesitation, enriching the ways of image expression, and creating new image logic. This film is based on a simple love story while weakening the plot while using a large number of close-ups of the faces of men and women to convey emotions and promote the narrative. At this point, there is a little John. What Kasowitz meant, but Leros did not keep the shot on the character's face for a long time like Kasowitz did in a documentary, but adopted a quick editing method. When a man and a woman are in the same car, their faces alternately appear in the picture, and the changes from reserved to relaxed states are all written on their faces. The film continuously inserts fragments of the lives of women and their dead husbands, which are full of happiness. Both of them work on the film set, but it is a pity that an accidental explosion on the set caused the woman to lose her husband. When a man is separated from a woman, the woman tells the man that her husband is dead. The man said that from the state when she described her story with her husband, she did not look like a woman who had lost her husband at all. One can imagine how happy and wonderful a woman’s past love life is. When she describes and recalls, it can make other people happy. A man is a racer, and every race is a life-and-death speed. His wife committed suicide after a car accident on the track, perhaps because her boyfriend's lifestyle of walking on the edge of the cliff made her mentally fragile, and finally chose to end everything. When a man and a woman take their children to eat in a restaurant, the woman’s eyes are full of love when looking at the man. Two people who have lost their lover love each other. Two souls who have experienced suffering attract each other and warm each other. The child is The best witness. The man stepped on the field again, the nervous woman wrote a telegram to the man that only I love you, the man and the woman finally came to the moment of physical and mental fusion, but when making love, the woman is full of the appearance of the dead husband and the love of the past Fragment, she can't get out of the memory of the past, can't get out of the shadow of her dead husband. This is the biggest blow to a man. Sometimes when we think about it, when we make love with a lover, maybe what the other person thinks of is not the lover in front of him, how disappointing and jealous it is. When the woman left by train, she seemed to have made a decision to live alone with the memory of her deceased husband and reject new feelings. She didn't want to have the guilt of betrayal, even if she really loved men. But the man began to resent in his heart. His loss and jealousy made him imagine that if a woman's husband did not die, maybe now he is just a middle-aged man with a big belly and no charm. Unfortunately, he is in the most attractive gold The age is dead, leaving a perfect image. This kind of hypothesis is very vicious but also very real. This is an evil reverie that a broken-hearted person will produce under the influence of jealousy. At the end of the film, the man still appeared at the station where the woman changed trains without hesitation. The two hugged each other, which seemed to be a happy ending, but who knows who is thinking in the woman's mind at this moment. His resentment, his loss and jealousy made him imagine in his heart that if a woman’s husband hadn’t died, maybe now he was just a middle-aged man with a big belly and unattractive. It’s a pity that he died at the most attractive golden age and left behind. A perfect image. This kind of hypothesis is very vicious but also very real. This is an evil reverie that a broken-hearted person will produce under the influence of jealousy. At the end of the film, the man still appeared at the station where the woman changed trains without hesitation. The two hugged each other, which seemed to be a happy ending, but who knows who is thinking in the woman's mind at this moment. His resentment, his loss and jealousy made him imagine in his heart that if a woman’s husband hadn’t died, maybe now he was just a middle-aged man with a big belly and no charm. It’s a pity that he died at the most attractive golden age and left behind. A perfect image. This kind of hypothesis is very vicious but also very real. This is an evil reverie that a broken-hearted person will produce under the influence of jealousy. At the end of the film, the man still appeared at the station where the woman changed trains without hesitation. The two hugged each other, which seemed to be a happy ending, but who knows who is thinking in the woman's mind at this moment.
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