Ah b is the second big silly b, tiring

Pinkie 2022-03-26 09:01:12

Woo Yusen's violent aesthetics and the morality of the rivers and lakes also have the problem of not accustomed to the situation. Unaccustomed to the environment arises from the overwhelmed ambitions, and under the premise that the delusions of this door are not lost, the historical curtain must be raised, the US military tanks are brought in, the grand scenes are created, and even the classic episode of the deer hunter is also obsessed (it must be said, The red cloth strip De Niro’s counter-kill is indeed very close to John Woo’s liking, but even so, it still retains the cruel rhythm control and psychological game of Hollywood movies that pursue authenticity: put more bullets and play Russian roulette, dare you? Dare? Reverse the army! You can't turn everything into violent aesthetics, slow-motion gunfights like John Woo's extreme style)... In short, it's all kinds of high-end products, but instead, it makes me fall miserably, from the dance hall to the beachhead battle. , the bullets flying is very lively, but the actual perception is the same. The two scenes of the mid-section climax actually most profoundly expose the artistic style of Hong Kong Films' "everything is crazy and unrestrained" once it tries to get on the stage of realistic history (and this Exactly what Hollywood and mainland movies are good at) will be overwhelmed.

Alexandro 2022-03-19 09:01:08

It was very burning at the beginning, and then smelled the cruel taste of youth. The logic didn't make sense, but in the end the tragedy overwhelmed everything. The background of the 1967 riots was very novel, and many characters did not explain it after they appeared on the stage. Xi Rong’s personality changes too quickly and is not convincing [My Uncle Zixiong is not that kind of person! ←Illness] Yuan Jieying is so good-looking, Jacky Cheung is really tragic, but they are not as good as the 28-year-old Tony Leung who was forced to kill two of his best friends by himself.