cc German repair Rossellini used the passive acceptance of children and the role prototypes of teachers and patriarchy to influence the characters to show the harm caused by the domestication of the people by the Hitler Nazi government. In this interaction, both sides are going to inevitable destruction.
Before the carpet-like follow-up investigation of the characters in the last ten minutes, the film was based on drama. First, it showed a family. The young man and the elderly woman in the family had a disagreement about whether to go to the prisoner-of-war camp. Is a cocktail party an immoral man, how should he understand it? Does he explain his humiliated past? Women think that men can’t do nothing. Does she explain her behavior? The realist Rossellini patiently took longer pictures for these scenes and tried his best to shoot the complete action. Two controversial scenes set the tone for the family entanglement. Then the children in the external story went out to make a living. Here began the characters holding the scales. During the whole day of going out, the audience and characters in accordance with the principles of neorealistic aesthetics experience the sameness in the location environment, and this passage does not appear as the family entangled opposition that appeared before.
Only later will it be discovered that there has been a new turning point in the newly added characters, allowing the film to generate new motives and move towards the reality. The external oppression is naturally an element of the story, but the core is still the relationship between the characters that causes the characters to react and the outside only serves the story. The spearhead that has an impact on both internal and external is directed at encouraging children to sell Hitler’s speech records. Therefore, the teacher’s professional education and Hitler’s Nazism education have undoubtedly become the external conditions that affect the children. The teacher also participated in the impact of the children. The child came to his father under tremendous pressure and came to his father with the death black of the facial backlighting. At this time, what really catalyzed the child was the father in the hospital bed who responded directly to the death. This is an important discovery for the psychological research of children. How to respond to the person’s own response and acquiescence constitutes a moral issue. How to judge the ignorant is the biggest issue raised by the movie. For this innocent person, the act of killing his father is merciful in his opinion. I fell into a dead end when I did it
Therefore, the film establishes a connection in the two scenes of this neo-realistic exploration and the return to the conflicted and dramatic family, which constitutes two opposing overall frameworks. Once there is drama, this duality is all over the film. This is another creation. From the results of the new direction, the completion of this new event did not catalyze the drama or solve them, but aggravated the family’s external suffering, so the incident returned to the child and exerted an influence on the child again when he found that the two worlds could not be balanced. I can’t accommodate the collapse of my mentor. How can this child who cannot refuse others accept any external tasks passively accept himself How to make judgments about others? I believe this child can’t get the answer. Unfortunately, despite this, others will not accept him or help him. In addition to the rejection of him by the girls in the previous world, I need to pay attention to the new child who wanted to join the third world while he was walking, but he was rejected.
The tendency to describe the richness of reality still exists. The movie still writes a lot of work in the blackout apartment and still yells. The young girl who needs a hair dryer uses a soap box to go around the subway station to cheat money. The unruly teenager nodded and bowed to the Nazi party. A teacher who has a tendency to pedophilia can see his contradictions from the clear comparison of his attitudes before and after. His brother who is full of existentialism and excess energy, etc. These characters do not reflect the complexity and contradictions of society. Obviously, characters cannot integrate into them. Anyone who really wants to do that is often abandoned by the outside world at home and wants to stand upright. When he finds that only the family really accepts him, he suddenly feels that he has buried his powerless father by himself. This situation is enough to provide it with up to ten times. Minutes of individual studies appear lonely and go to death alone
I described the two return journeys. The first time was to make the characters appear lonely in less than one-tenth of the size of the picture. The second time was when the characters were completely backlit after psychological stimulation. It seems to enhance the drama of the character's heart, or the strong music when killing the father and standing under the strong contrast of the lighting model. This sound effect, lighting, and light and shadow modeling appear almost in every corner of the last scene of the film, let alone men and women. Youth’s obvious stage-theatrical performances. In this kind of treatment, you can’t figure out whether Rossellini’s neo-realist films are in harmony with Hollywood, expressionist or modernist films. Even though there is a diversification, the treatment of characters is also more emotional. This kind of meticulous psychological research on characters has been shown in his subsequent works.
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