The human brain is Pandora's box, and scientific research so far has not been able to give accurate conclusions about the production of consciousness—at best, it is attached to the far-fetched seemingly reasonable YY. There was a view that our brain is only used by about 10%. According to the ideal interpretation, if we can develop a little, our unit efficiency can be doubled. But there is still an interpretation that believes that in those vast areas that have not been developed, there is unexpected dark energy, and a little carelessness may bring catastrophic consequences. In the controversy of this view, Luc Besson's "Superbody" and David Jaber's "Lazarus Effect" can be regarded as extreme interpretations of these two views.
However, some researchers in the scientific community dismissed the simple and crude interpretation of the super pose, pointing out that the so-called 10% brain occupation rate is a resource for people to call for thinking activities, but when the brain is active, it operates as a whole. You cannot simply treat the outer layer that is not involved in the core calculations as useless areas. This is like an ant colony without a queen that naturally cannot reproduce, but without the tireless work of the worker ants, the queen will have no breeding conditions. So the idea that the brain is not doing its best is just taken for granted.
But one thing is certain, in our daily life, the inertia of life and the trivialities of social life do take up a considerable amount of our experience, thus covering up the buds of other thinking activities. For mortals, only when illness and frustration take away the body and simplicity that we rely on for pleasure, will people become profound and sensitive. Zhuang Zhou's dream of butterfly can only be achieved when it is pure enough to abandon the world and focus on introspection. This was a luxury in the extremely scarce ancient times, but in contemporary times, with the advancement of computer technology and the deepening of themes, the materialization of fiction and reality, the incoherent stream of consciousness in people's moments of thinking, it has become a movie trend. Watching "Misty" released in 2004, the story is similar to "Life and Death" released the following year. Both are the protagonist's self-written, directed and acted Nanke Yimeng after the protagonist's confusion of consciousness and reality are combined in the near-death stage. The narrative of "Life and Death" should be more rounded, but I still prefer the somewhat flawed and rough "Misty". "Fog" went straight to the theme as soon as it came up, without the craftsmanship and dullness of "Sheng", but the suspense lingers like the title of the film, and the truth comes to light at the end. The high-intensity rhythm of the second half is accompanied by sharp music. , Coupled with fast editing, is definitely a treat.
However, the film source of "Misty" is really too few, the subtitle library has no resources, and the film and television forums are basically not. If you want to watch it, you can go to ed2000 to search.
By the way, it is quite interesting to recommend a similar film "Sightseeing Route" that I watched last year.
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