The image level is not so stylized, but the roughness is very cold-European, and the content level is very outstanding. The film is connected in a more balanced series through the story and character behavior. Among them, the character behavior is even more important for the carrying of the film. After reading it, I did find that it has an obvious impact on the parasite's class setting and contradiction, and even the film structure and character design. Feng Junhao's follow-up can be said to be an adaptation based on it. However, it is cold. The theme of the festival is more profound and complex. It focuses on class and women. It also promotes this unconscious but reasonable resistance through character behavior, omitting words and stories as a turning point in advancement. And Bong Junhao only focuses on class, and the whole advancement of the characters is almost an alternative imitation from the behavioral level. If I were Claude Chabrol, I might tell Bong Junhao to plagiarize, which is completely beyond. The scope of influence and reference. The film is 70 points, the director is 85 points, and the performance is 85 points. Both actresses are excellent. Yu Shoujo plays a rebellious and lively old girl, which is also very interesting, but the other actress plays better! 90 points for scripts, 90 points for creations, 84 points for works, content coefficient 0.9, 76 points for film history
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