Spoiler warning!
Wir passen perfekt zusammen. Glaub nie etwas andres.
The sorrow is hard to suppress and full of emotion.
In fact, the scientific concepts and philosophy quoted in the play ultimately serve the direction of the play, and there is no need to hold onto the applicable conditions and scope of this concept. To put it bluntly, don't be too serious. I personally think that the core of this play is not in the discussion of personal philosophical thoughts, nor is it in the discussion of quantum mechanics. Quantum mechanics and classical mechanics are two different logical systems in themselves, which are in conflict in many aspects. Schrödinger’s cat, Schrödinger was aware of the conflict between quantum mechanics and classical mechanics when he proposed it, and proposed the concept of "entanglement" for the first time. The entangled German is Verschränkung, which comes from the verb verschränken, which overlaps and crosses. In terms of this concept, it does not serve the macroscopic world, but the fact is that the macroscopic world is not in a stable wave state. The proven wave-particle duality tells us that its particle nature cannot be absent.
Ignoring scientific rigor, the logic of division is easy to sort out. Because of quantum entanglement, the human soul is in a superposition state, and at certain moments (dark matter action) can split the world into countless worlds. DARK describes it as the source world of Ursprung, the world of existence, and the mirror world. Combined with the thought of quantum mechanics, the soul is quantum, so the soul has the outstanding characteristic of quantum: entanglement. What is quantum entanglement? That is, between two related quanta, the change of one quantum will inevitably cause the change of the other quantum, and the changes of the two occur at the same time.
The mother and daughter in the play, and the frequently appearing sentence Everything is connected. is also based on this logic. The daughter and mother change their state of existence passively and at the same time by the same amount. This is the quantum entanglement described by DARK.
Physics and philosophy are essentially independent of each other. Schrödinger, Nietzsche, and Freud were more or less influenced by Schopenhauer. Germans now believe in pessimism in their bones. According to Jung, this kind of thinking has been implanted in the collective subconscious.
Schopenhauer believes that "the life will that is the origin of the world is the origin of pain."
"Life is like a well-winded clock, which swings back and forth between desires, pain and boredom. There is no point in pursuing the purpose and value of life."
(Isn't it Adam?!)
In this sense, life is painful and pessimistic. But what pervades the reality of human social life is the affirmation of the will of life, the constant desire and pursuit of desire.
Whether it is DARK, or other German operas, German musicals, and literary works, we can all see Schicksal, a high-frequency vocabulary. Schicksal comes with the verb schicken, send and give. Is it very ethical and pessimistic? Our destiny is a gift from heaven and we can only accept it. The German musical Mozart has a song, Wie wird Man seinen Schatten los, How do people escape their shadows. In various works of art, we can see the German thinking about fate.
This is the philosophical background and motivation of this drama. This is also the soil of German classical philosophy. Even if fate is a godsend, if we have free will, we can escape our shadow and control our destiny. And this, in line with the beginning of S3E1, one can decide what he does, but he cannot decide what he wants.
The actions of all characters in the play are driven by this sensual desire (love) to trigger the cycle. Adam wants his Martha back, Eve wants her child alive, Claudia wants Regina alive. Until they finally break the cycle and destroy themselves, all they do is driven by love and push the cycle step by step. Each cycle is the eternal reincarnation in Nietzsche's mouth.
(PS: In the second season, Adam’s words are almost rewritten from Nietzsche’s original words, huh)
Wir ewig tun, was wir schon immer getan hat.
We will always do what we have done before.
"What we know is only a drop in the ocean, but what we don't know is the vast ocean."
(It's not possible to dictate in German)
Back to the core of the play's discussion, is it the philosophy of life or tragic love that the editor wants to discuss? There is a thousand Hamlet in the eyes of a thousand people. We exist because of emotional connections that destroy ourselves, and it is also it. We can never cut off, and ultimately lead us to destruction. He only loved her from beginning to end. Everything comes from love and is destroyed by love. We are destined not to be in the same world, Zhuang Zhou Mengdie, no matter which world, whether it exists or not, you are born a pair, whether Zhuang Sheng Mengdie or Die Meng Zhuang Sheng, love is eternal.
Therefore, there is no need for us to delve into the objectivity and rigor of a science fiction drama, but we can still get a glimpse of the thoughts of Germans rooted in their minds. In any case, the drama did not run away.
Ps: It's okay for the Germans to shoot suspenseful science fiction political and historical themes, but comedy is just...
Ps2: This story tells us that if you cross over, don't mess around, and you must take protective measures if you mess up.
Ps3: Celtic triangle, it can represent three worlds, three times, three characters, ternary... and the Germanic connotation, can not be offended.
Ps4: This story also tells us that people have to read more, and two high school students can't play as a physicist (manually Wangchai)
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