According to the plot of the comic, "The Last Crime in America" sounds like an extreme crime, unlike "Sixty Seconds", which also has the fast-paced car chase scene of "The God of Cars".
But the finished film is just a shit. The film can be shot for as long as 148 minutes. The director Olivier Migaton is guilty of first-degree murder, torturing any audience who tries to watch it.
The rhythm of its movie is really lethargic. How can the director manage the nervous atmosphere of being controlled by the government in a few days, or even within 24 hours, as if the protagonists are going to the supermarket on Black Friday. Cleansing as indifferent?
In the short preparation time, the protagonist clearly arranged the plan in every detail. Does the director also understand that time is like water in a sponge, and there is always a squeeze?
Several protagonists use the feeling of using days and hours as months and weeks. The director uses 148 minutes as 1480 minutes. Are you nervous?
If the plan is comparable to Mission Impossible, the characters look like eleven arhats, but the criminals are mentally handicapped, the police are also mentally handicapped, the plan is to treat the audience as mentally handicapped? Who would be excited about the IQ of the two sides facing each other, and the child would play a house.
The protagonist Edgar Ramirez was a world-weary and cruel face throughout, and I was tired of aesthetics for two hours. Shuai is handsome enough, but Blake can't see a trace of change except for NOOOO and interrogation.
To say that the most brilliant in the whole film is Kevin, crazy enough, full of personality, far better than Blake.
Only in the end he was ruined by the story reversal of the elementary school students' composition level. Why bother the screenwriter? This reversal turned out to believe that no audience would scream "Awesome!"
And this plot reversal is also a bit unclear. The way the API signal can be interfered in the film seems to be the brain watt. Is Kevin's brain damaged by the beat, or is he comprehending that "there is nothing" Meaning", I went crazy and didn't want to explore it anymore.
The heroine Shelby exists to sell meat. The sex scenes with beautiful legs are sexy and charming, the characters are boring and boring, they are persecuted, and they are burdened with old-fashioned characters. I prefer to change her position to a male role. Who is it? Police Sawyer.
This is also the most incredible character for me. What is the reason for the police Sawyer's appearance? Delay to cheat money?
In the film, his story is omitted into three. The first is that a male criminal was killed in the legitimate defense of the police station. The second is that the police officers have heard that the chip implantation is not controlled by the API. They choose to implant the chip. The third is the last and Sher. Comparing to A, the tragic death was useless.
What is this for?
Sawyer can be used to show that the police knows and breaks the law. Although it is a bit overlapped with the two FBIs, it is better than nothing, unlike the funny plot in the feature film.
When the reversal plot appeared, I was refreshed. This Sawyer is still interrogating Shelby over there. Will he be able to use violence to turn back? Was it Sawyer who shot? It's so cool for a character who walks in black and white and descends like a savior, but nothing, nothing.
This is like the disappointment brought to me by "Tripartite Frontiers" at the time. It was so cool that it exploded and became an action gunfight movie with a burst of perception. Although it was not bad in the end, it also made me regret it.
In the end, my best cool film is expected to be fucked by the screenwriter, and he hangs up like that, and the hang is not as meaningful as the cigar man.
To prevent the heroine from this kind of plot, any security can be dealt with. And let Sawyer, who has appeared in the film's 31 points, be the security guard, and the director seems to be teasing me-saying that you think this role is very important, but he is actually a security guard.
Arranging Sawyer as a black policeman, in the last few days of API implementation, he found himself enjoying violence, so by chance, he joined the protagonist in pursuit of the realization of his own desires. The ending death or undeath is more exciting than this superfluous story of hemiplegia.
The characters are frustrated and the story is rotten. After watching the movie for two hours, the audience will not remember any action scenes in it. There are hardly any. Perhaps the most exciting is the action scenes on the main bed of the male and female.
In short, this is a fragment that is too bad to be added. It took 148 minutes to waste the tight time limit set by the story, and wasted the concept of API signals.
When the U.S. wants to use API signals to control the common people, and the ruler may use violence arbitrarily, civilians are busy repeating "National Killing Day" in the streets and lanes. WTF? In the future, I can’t commit a crime, so I commit a crime in advance, and I want to be deprived of human rights, so I commit a crime, but only the protagonists are the ones who really prevent the signal from being transmitted for a period of time. Everyone is fishing?
There are no resistance organizations and no heroes. In the movie 2025, the United States, where everyone will become a walking dead, is not as strong as the riots in Minneapolis now.
Therefore, don’t waste 148 minutes of your life admiring "The Last Crime in America" which is itself a crime and robs the audience’s precious time.
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