Incomplete analysis of stalks in S04E06

Dillan 2022-12-25 10:16:41

Spoiler warning

Prevent stray entry

Spoiler warning

Prevent stray entry

After watching this episode, it’s a little confused, and it seems to involve some professional knowledge of screenwriters. I don’t know how the scores of the single episodes on IMDB are. I feel that the ratings of the audience may be quite different. Here is a brief explanation of some of the story lines. The first time I write an analysis , Welcome everyone to discuss and correct

1. Enter the carriage at the beginning, paying tribute to Agatha Christie's "Murder on the Orient Express"

2. The meeting between the grandfather and grandson shows that this is an "anthology" (anthology), which consists of many stories from different sources but with similar themes, and then the two intend to escape from this story anthology (in the female version of Morty's story, It seems that Rick also dated the female version of Master Yoda in Star Wars)

3. There was a blocking word in it. Morty said that this person has *** gutter (referring to abdominal muscles). This word should be cum gutter. Why can this word refer to abdominal muscles? If you often watch the postgraduate entrance examination video at station P, you should know that in porno, you will always ejaculate on your stomach, and if a person has abdominal muscles, the texture of the muscle depression is like gutter (sewer), full of liquid, now maybe everyone There is a picture...

4. Then the car window was broken, causing a problem with the continuity of the anthology story. The ticket guy was sucked out of the car. The picture was too red, so the picture was not displayed. After the car window was repaired, R&M wrote continuity The gas cylinder inhaled oxygen, showing the importance of continuity to the story, and the explosion of the continuity cylinder showed that the continuity of the story could not be guaranteed. There was a scene where R&M appeared in another carriage, and then two people Found the structure diagram of the carriage (stories anthology), analyze which part should go to

5. R&M looked at the half ticket guy outside, Morty said that this is a terrible way to die, and then Rick said that you dont know the half of it. This is a very vulgar way. But Morty said later, just be funny, don’t think too much (overthink), pay tribute to the Virgins who left a message "Don’t be a joke about this kind of thing" under Nopin’s joke

6. In this story, the ticket guy’s nightmare created a universe. If he died completely, the universe would cease to exist. He also became the god of certain people in the universe. For example, if he believed in himself Without orgasm, you can convert the suppressed energy and let this ticket guy live forever, but it was still not controlled, but in fact, their universe was not because he didn't hold it, it was because Morty pityed the ticket guy and shot him a few shots. Beating him to death gave him a good time

7. Then R&M got up and went to the Return Valve. In order to get there, he had to pass the "theme seal" by telling a story about an irrelevant theme. At first, Morty made up a garbage story, but it was unfortunately related to the theme. Later, Rick suggested He tells a story that meets the Bechdel test, because the play will never be related to the story theme that meets the Bechdel test

Next move Baidu Encyclopedia

Bechdel Test, the test by cartoonist Ellison Beckdale (American artist and lesbian activist-translator's note), the origin can be traced back to Ellison Beckdale (artist and lesbian activist) in 1985 Of a cartoon. Its name is "Rules" and it was published in the comic strip "Dykes to Watch Out For", which shows two people preparing to go to a movie. One of the heroines said that if the three prerequisites were not met, she would not watch any movies.

-At least 2 actresses must appear in the movie, and they must have names.

-There must be a dialogue between these actresses.

-The subject of the conversation cannot involve men.

This kind of rule is almost a joke or game, and it eventually became a new way for Sweden to judge films-this method is used to discriminate whether films promote gender inequality. Its intent is to highlight that many movies we think of have passed this rule. Another question is whether a movie meets this rule has practical significance.

So Morty told a story that was super in line with this rule. In this, Beth and Summer were discussing special time (period holiday), and Summer was not born by Beth, but sent by a female doctor, so it passed the theme seal. Valve... As Rick said, this story is really a feminist masterpiece, I won’t explain much about the irony (this is the opinion of the R&M author)

8. Then the two people went to the cab and met the big boss, the story lord, and a battle. Every time they shot out of the glass, they entered a story. The people in the story always wanted to convince R&M that these stories are true Reality. Later, the story king fixed R&M, and wanted to use their potential to create a story that broke through the fifth wall.

References: Liu Xiaoming, "The Fifth Wall" in Traditional Chinese Opera and Its Theoretical Significance[J], Research in Literature and Art, Issue 07, 2018

Western dramatists such as Brecht called the hidden wall between the performer and the viewer the "fourth wall". Also as a non-physical "interval", the various hidden walls in the performance can be regarded as the "fifth wall". This kind of wall is represented by four basic types in Chinese classical drama. In the "Fifth Wall", the actors on the field often turn a blind eye to something that exists on the stage, resulting in a "hidden" effect, that is, although a certain thing appears on the field, it is "prescribed" that the performer cannot see it. On the contrary, things that are absent can also be regarded as present, and this absent presence is conditioned by the "fifth wall". As a result, the "Fifth Wall" not only greatly expands the space for dramatic performance, but also redefines presence and absence. More importantly, the "Fifth Wall" has the meaning of "being", that is, occurrence. "The Fifth Wall" embodies a kind of "differentiation", which can continuously "produce" new spaces.

Look at it, anyway, I can’t understand it. It’s too professional. The other indicators of the story are shown in the figure, including narrative ability, market prospects, attractiveness, relevance, story potential, etc. Now the story king wants to use R&M to write The story is over. There are many familiar faces in the story. Brother Lincoln, pet dog, and Phoenix Man (Birdman’s cyborg transformation). R&M has been resisting

9. In the end, the story king pushed the story to the finale, attempting to burn out R&M. There are fierce characters in it, blackening President Morty, zombie Poopie Butthole, Mr Meeseek, Morty's grumpy sons, etc. However, Unexpectedly, Rick offered a big move, believed in God, summoned Jesus to save them, and the story king fell into a collapse, because this story is really bad (I respect all religious beliefs, this is the opinion of the R&M author), at this time Morty Say, you are too cynical like this, Rick said I will not invade others, after all, in this story we are saved by God.

10. After defeating the story king, R&M escaped from the story anthology train. It turned out that this train was a toy that Morty bought in the school city. After the train derailed, when Morty asked to go to the store to return the goods, Rick said that during the epidemic, no one Going out to the shop (close to current events), order a new one. Buying, buying is the characteristic of capitalism!

ps Thank you for the correction in the message here. I misunderstood it when I read it before.

11. The end of the credits is the advertisement for the toy, the end

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Extended Reading

Edge of Tomorty: Rick Die Rickpeat quotes

  • Morty Smith: Who are they?

    Rick Sanchez: Crystal poachers, there's no lower form of life. They think the galaxies our own personal piggy bank.

    Morty Smith: Wait then, what are we?

    Rick Sanchez: We are Rick & Morty.

  • [Morty is driving Rick's spaceship, rather recklessly, so that he can follow a destiny to die in Jessica's arms]

    Rick Sanchez: Morty, you know outer space is up, right?

    Morty Smith: Yeah, yeah. I'm just, uh, following... my... instincts.

    Rick Sanchez: Will you just go up?

    [grabs at controls]

    Morty Smith: Stop! You're gonna make me die wrong!

    Rick Sanchez: Wait a minute, what? Morty, do you have a death crystal in your pocket?

    Morty Smith: No... Maybe.

    Rick Sanchez: You little monster! I thought you were masturbating!

    Morty Smith: And you took that in stride?

    Rick Sanchez: You rather I address it?