The 12th #法罗岛电影节# The 4th screening day of the main competition unit will bring you "A Man and a Woman". Here is the evaluation of the frontline love men and women with pink bubbles!
zzy granite:
Simple, casual, and fascinating.
supremacyacron:
Only a madman will refuse happiness.
George:
This is a romantic movie! This is the perfect romance!
The Queen of the Faroe Island Empire:
The heterosexual romance that touches me now must be really touching.
We Min Hee:
I don't want to describe it as "masterpiece", because the film is not "big" enough to use the word. She said, "Blue Beard" is too sad.
Fruit trees:
The most beautiful love is nothing but this. Meeting, heartbeat, confession, passion, hesitation, the last thing you need is desperate courage. The music is so beautiful, the old man in "Love" was really handsome when he was young.
sparrow:
Extremely idealistic style, unpredictable erotic resonance. The scene of delicate life and the sweet and healing love make this middle-class love story of the 1960s full of unique charm.
Bat Bats:
I like the filming and editing of the director. All the beauty between men and women is undoubtedly revealed. Nowadays, love is too fast. It is often built on the Internet and disappeared from reality. Therefore, it is easy to create beautiful love in those beautiful times in the past.
Ye Fan:
It's so beautiful, as if it's just a certain emotion. Reminiscent of Malik, if Malik is a prose poem that dances casually, then the film is a neatly floating narrative prose. A simple love story is covered with a layer of yarn, and the yarn moves in the wind, plucking the heartstrings.
Sugar-free Tucao:
You said you were leaving by train, and we said goodbye at the starting point and met at the end. There are cold and warm in black and white, and reality and memory cannot be distinguished in color. We are just a man and a woman, bothered by life and attracted to each other now. The sculptor chose the cat, and under the sunset beach, life was shining.
Wipe:
French love movies can be called love movies! The soundtrack is nice. So Qiqi said that the argument was from the sculptor, right? I really like this detailed description of the magnified emotions. I am embarrassed to stretch out the hand, he hesitated for a long time, stretched out the hand to her, and hugged the hand that was put down for two seconds. I love this dislocation of sound and picture, the whole film is very emotional. However, comparing the two relationships of the heroine, I really love the ex.
The song is wrong:
Beautiful, so beautiful, a simple love story is very charming, performance, soundtrack, scheduling, and tones are all integrated into the narrative and become the main body of the narrative. You, I love you, don’t ask the dust, don’t ask tomorrow, I just want to hug you now, unforgettable the eyes of Aimee and Trantignan, the love between the two is natural and ambiguous, exuding goodbye Kind of charm.
Pincent:
Movies are always about creating beautiful atmospheres and situations. Although it is rare to be casual, there are many subtleties such as the capture of eyes and close-ups of body parts. It is also good at using sound to retain the emotions of those moments. The color tries to show the reality and memories, day and night in the structure. distinguish. Simple but clear to impress the audience, I feel that it is not enough to be an ambitious and sophisticated masterpiece, but it is enough to show the talent and unscrupulousness of young creators.
Full of Zhao+:
A woman's heart, a needle on the bottom of the sea, the love a woman said to you at this time, you don't know if it will be like that after a while. The French minor is very romantic, but I don’t think the film is romantic, but a bit cruel. The love for each other is an illusion brought about by touching trigger points. If this is love, what about the other woman lying on the bed? If this is love, why do other people's faces appear in my head? Or maybe, love is really not that great, it's too ordinary...
Bob_Chow:
Relaxed, dexterous, and constantly weakened structure is still effective, and seemingly loose but unexpectedly neat time segments constitute a constantly jumping emotion. The soundtrack and color palette are excellent, and the light is used to the extreme, truly "writing with light". Men and women, boys and girls, Saturdays and Sundays, although they are not self-reflexive, they are also textual cognitions. The dialogue is a little weaker, and more of the materiality presented in the film. The style and color of many cameras resemble home videos. It is a pure and simple image collage, but it doesn't care about the voice and sentence. Music and light are used as binders, which are limited and contracted inward, but the imprint and aftertaste are really deep.
No one at midnight:
I have always felt that it is the most difficult thing to make a good love movie, whether there is enough history before the two people meet, what kind of personality charm the two people have to map to each other after meeting, and the thrilling and moving heart of the relationship itself, and This movie is as perfect as an "ideal type", or it is "beautiful love" himself. The empty mirror is beautiful, the music is beautiful, the eyes are beautiful, the smile is beautiful, it’s never annoying to talk because I like it, talk to myself because I miss you, and I can’t wait for a moment because I want to rub it into the body. It It just happens to have grown into the best appearance of love, and it rushes into people's hearts, clear and flowing. The past, no matter how unfortunate it is, is blue; if you meet by chance, you are destined for the rest of your life.
The scores of #FIFF12#DAY4's main competition will be released for everyone later, please wait and see.
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