The routine of "Wayne" is exactly the same as that of "Fuck the World", accompanied by the desperate mandarin ducks. I doubt if this is an upgraded version of the American group portrait of "the end of the fucking world". The overall framework is the American multivariate violence aesthetics, the youth version of the black comedy, the early stage is exclusively for violence and violence, and the later stage still returns to the confusion and growth of the youth film.
British Alyssa and James are jungle, dumb, and decadent, then Wayne and Del in Florida are gangsters, guns, and Nirvana. Youth films want to make black humor, it is the screenwriter who sprinkles chicken soup while expressing the intention that everyone is a bastard.
If "Fuck the World" are two lives influenced by love, then "Wayne" is a story of mutual redemption. Both works explore the process of the cold teenagers being domesticated by love under the patriarchal rule. This love is maternal, tough, and gentle female power. Through the perspective of desperate and depraved teenagers, the impact of women who were originally in a disadvantaged position is amplified.
Unexpectedly, YouTube will one day be able to shoot explosive models that can compete with Netflix. One more thing, Wayne is really a bloody and romantic little cutie.
View more about Wayne reviews
