I believe that Simon is dead (there is an obvious soul floating and looking down), but the consciousness is trapped in a two-year cycle of 2000-2002 (similar to "Source Code") because of self-blame. My brother’s wine is similar to the seagull in "Terror Cruises") And the nurse Anna in the middle, I don’t think she actually became the wife of the male protagonist. Her existence is only at the moment of holding the walkie-talkie. Maybe the male protagonist’s subconscious mind The guilt for my brother and other reasons led to the belief that this walkie-talkie behavior deepened my guilt, so I subconsciously used Anna and the walkie-talkie as weights to threaten me (the first woman I saw after the car accident imagined her as her own wife/ Lover is similar to "Life and Death"), but after the car accident, Anna did not stay but hurriedly left, so Anna in Simon's subconscious also has a not very responsible and detached image. The man wearing a hat and mask, Simon said he wanted to'kill himself'. He was also a medical staff at the scene when he was in cardiac arrest. He might be responsible for injecting Valium, but Simon hesitated to be extremely painful and didn't want the man to approach him, but he was injured. Waiting to be unable to move/struggle, so subconsciously imagined him as a sneak attacker taking advantage of the void. As for his father, Simon had a subconscious awareness of attachment and desire for love to his father, so imagining his father as the first person he saw when he woke up (and was a pediatrician who tried to give Simon a candy) was a childhood. A mapping of the image of a father. As for killing the patient I saw on the road, I think the same did not happen. The victim may be guilty of his own mentality, fantasizing about the murder that did not happen, and connecting with the horror scenes that appeared in his own memory (and " The "homicide" in "Doctor Edward" is similar)
And the reason why Simon imagined him as a severely ill patient with a heart disease might be because he was the last patient Simon saw before his death, so he might subconsciously think that as a patient, his near-death pain was empathetic. This It can also explain why Simon wants to help him'free from pain'. In fact, except for the people in the movie repeating the cycle, including water marks on the glass, needles (scissors) and other items, including the entire subconscious cycle of Simon, except for a short period before the incident, everything else happened in the hospital after the car accident. Here, as for the puzzle, I think it is a disguised form of the childhood photo of Simon and his father and brother. I have seen some comments that the reason is a mixture of Mulholland Road, Life and Death, Butterfly Effect, and Horror Cruises, but the effect is not as good as these films. Perhaps it is because of this mixture that the focus is not clear enough, but I think this is the case. The chaos is closer to the real reaction after trauma in the brain. The lack may be that the information and suspense left behind do make the story a little thin, and it is compared with movies such as "Mulholland", "Doctor Edward", and "Life and Death". , Obviously the Freudian dreams or subconsciously bring less distortion and psychedelic feeling, and there is no distorted disharmony in the dreams, and the lines have some obvious meanings, a little afraid that the viewer will not understand As for the additional explanation, David Lynch hardly explained,'Tell enough good stories and treat the viewers as smart people as himself. 'Maybe it's one of the secrets of "Mulholland Road" enduring in the suspense film. The pain and inner struggle of the generous child is a bit of the shadow of "Requiem for Dreams" (the film really has a little shadow), but the setting of falling in love with the sister-in-law is still a bit embarrassing... 4.5 stars
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