It was hard to watch at the time. My French level was zero. Fortunately, I have Chinese subtitles. Fortunately, Air France uses a Boeing 777, which guarantees a small TV screen for each person, so I can enjoy the film completely and quietly. I remember that after watching it, my emotions were quite complicated and a bit agitated. The ups and downs were very rich, especially like the feeling of watching "Little Women" in a small theater with classmates when I was in college. With tears and smiles in his eyes, it is a pity that all emotions can only be suppressed in the closed cabin.
I remember watching it twice, and I felt amazing, as if listening to French chanson, full of French romantic and petty bourgeois sentiment, without deliberately ups and downs, but very real, delicate and moving, vivid and fragrant; that feeling It also seems to taste French dry red. To the oriental people, the taste seems to be too rich and full-bodied. The bitterness of the taste buds and the tip of the tongue seems to be stronger than that of red wines from other origins.
The heroine is the most dazzling new star in French film, Audrey Tautou, and her representative works can not be more familiar to us, such as "Angels Love Beauty", "The Da Vinci Code" and "Long Engagement". To be honest, I always feel that this woman is not very beautiful and comfortable, and even at first glance, she feels uncoordinated. Her facial features are a bit strange. On her small head, a pair of oversized eyes shines scaryly, like an E. T, the figure is not very plump and tall. How should I say, in the French film scene, which is full of beautiful women, she is indeed not gorgeous. However, she does have a very peculiar temperament, especially those eyes, it really seems to penetrate something in your heart, and you can't help but want to look at her more.
This time, she plays a woman who lives on the edge of the poverty line. She works as a cleaner in an office building at night. Her real hobby and pursuit is painting. She seems to be deliberately banishing herself and escaping from the world that she extremely hates. Every time I had a date with my mother, I always broke up. Her parents divorced since she was a child. Not only did she never understand her mother’s vulgarity and benevolence, but she couldn’t bear her endless reproach to her father, and her condemnation and criticism of her own life. put one's oar in. She insists on a certain dream and self-pursuit, but has to face the cruel and cold reality. She has wrapped her fragility, loneliness, anxiety, and desire for love in a seemingly rebellious way. , Heartless, informal shell.
The male protagonist, I don’t know, is a very stylish young French man. He looks like an unemployed youth in China. The only difference is that he is not acting cool in appearance, but acting as a whole. A professional and dedicated chef, devoted to almost crazy work, riding a big motorcycle on the high speed, not for racing or playing handsome, but for running back to his grandma's residence and taking care of his loved ones. His enthusiastic, active, free and easy life has a gentle and considerate heart underneath his seemingly rough appearance. However, the iron-struck man, faced with the tremendous pressure of life, supported by himself, and his tired nerves made him a little irritable and uneasy.
The protagonist has a friend, a young aristocratic child who always treats others politely and politely. Of course, this aristocrat seems to be only spiritual. His work and life are definitely not as generous and rich as his ancestors, but he He still lives with calmness, calmness, peace of mind, and a gentle and loving life, but he also has his own problems. How can a person who always go to a psychologist to treat stuttering be free of his own confusion and sorrow.
The grandmother of the protagonist, an old woman who has completely lost her ability to take care of herself, fell out with her children. Fortunately, a grandson took good care of her, but because she was determined to stay in her old house and give her grandson invisible Increased more pressure and helplessness. The two grandparents who love each other also have endless grievances and grievances in their hearts.
It was these four people, four people with love in their hearts and lonely souls gathered together, comforting and warming each other, and composed a plain and moving "Just Together". In the process of giving love, everyone warms themselves and gets some kind of redemption.
The film touched on many practical social issues in contemporary French society, especially the issue of hospice care, which touched me quite a bit. It reflects the ups and downs of the most ordinary French urbanites, but it is never trivial or messy. Even in the most helpless and bitter times, it does not give up the hope of life and the sincere tenderness. It's a realist film with a strong sense of love. If you want to understand the real living conditions of the French, maybe you can watch this film.
I don't know why, although France and China originated from two civilizations, they always make me feel inexplicably similar. People of both nationalities are extremely delicious, delicious, exaggerated, and very happy; they are a little sensitive, fragile, and even cowardly. They are all born with a sense of superiority and pride because of the long and splendid civilization, and at the same time they have a kind of love and hatred for this civilization. Mixed emotions, especially intellectuals, are unavoidable to have such a petty bourgeoisie that is self-pity, self-pity, and sorrow for new words. I was unable to understand France's capitulationism and willingness to be a subjugator in World War II, but I read "Four Generations Under the Same House" and suddenly understood all of the cowardice and endurance that I had once scorned. The difference is that the French's "bearing humiliation" has kept Paris forever, while Beijing has already "changed its old look with a new look".
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