Both the reporter and the son’s cause of death can be cut off. The former is too prose, while the latter puts at the beginning to wipe out the audience’s emotions. Whether the cause of death is explained or not is not necessarily related to the subsequent plot, as long as Just confess that your son is dead. The director's effort should be on how to slowly unravel the theme of the title with suspense. Because watching movies in this way is more natural and more suitable for the play of movie language. The score is really too low. It’s not enough to perform or edit.
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