A film that is as quiet as a silent film. The two protagonists do not have a single line in the whole film.
I didn't intend to state the plot, and I have already commented quite a lot.
It's about hiding, and fleeing again.
Kim Kidd in "Empty House" successfully hides. Kim Kidd in "Time" was tortured by concealment and lost his identity.
He still doesn't know whether hiding is the most appropriate way.
"Bow" should be before the two movies.
I thought he had already got the answer in "Bow". For the first time, he chose a non-concealed path for hope.
However, judging from the next two parts, this is just a fragment of him trying to dismember his mind or persuade himself on different sides.
A struggling person. Running back and forth in the middle zone between fleeing and holding on, but I don't know which shore I want more.
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