have not read the manga and animation of Koka Ninjutsu , and it is not easy to be comfortable with the imaginary shape. Personally, I feel that Yukie Nakama It's pretty good. She looks like that kind of ice-snow woman. She looks calm and soft like water in her heart, but she can be a weapon in the freezing point. However, such an interpretation of the heroine in Shinobu is enough to KUSO~ The understandable character problem is that Nakama lacks the girlish taste like sunny spring flowers.
Compared with OVA, the advantage of the movie is that it is short and sharp, so the elbow factor will be "short". For more than an hour, you don't expect to see the full historical background, whether it is the background of a big era or the trajectory behind a character.
And the original "Koka Ninfa Taku" is not based on the storyline, but uses the role of "ninja" to cut into the history of the Warring States Period in Japan, using a history of a few people in the era of the era to reflect despair or sigh Emotions. In fact, a similar structure is used in many literary works, such as small groups in large times, small groups in troubled times, and the first step in philosophical thinking or humanistic expression is to ask about this ethereal life and the meaning of life like cherry blossoms~ Cherry blossom viewing And the Japanese preference for "ninja" and "samurai" tragedy stories is based on the same humanistic tone-to appreciate the miserable life, appreciate the lightness of life, the destiny of one person or a small group of people is due to the slow time, the long road or the vast space Vast, always so helpless. The protagonists in just a few hours and a few pages only use their extreme beliefs to fill their helpless lives with meaning. The samurai of the new writers group and the ninjas of the Warring States period are all like this. They are always a group of people who have dedicated their lives for the times and beliefs, but only become a certain historical tool. Their destiny shows the core of Japanese aesthetics when the dusk sinks. .
Ninjas are just a tool for fighting. The history of Koga and Iga is true, but Qimen Dunjia must be an imagination added by later generations. They are masked because they don’t need a name, an identity, and they shouldn’t even have too many lives of eros. This kind of exaggeration is actually nothing more than a radicalization of the idea that no matter how unique the individual is, it is just a tool of history and time. In Ninja, the scene of the dialogue between Yakushiji Tenzen and Hyunosuke is my favorite. Tenzen’s insight into the times and ethnic groups, and the young idealism of Kananosuke, such extreme character confrontation is more like a confrontation. The confrontation between people at different stages of growth is the only thing that shines in this play. In fact, all ninjas know that the shogunate just wants them to kill each other and go to destruction, but they cannot stop fighting, because fighting is the meaning of their choice, and there is no meaning, survival is just like "a useless tool hidden in the mountains." Walking dead, and the meaning of living is to die firmly. This is more or less like a butterfly that is going to be a specimen, just to maintain the gorgeous color of the wings. Therefore, Tianshan would rather die.
However, the movie’s time is far from enough to express clearly the ins and outs of this "extreme belief". On the contrary, it has fallen into the shortcomings of stereotyped character portrayal. If you hadn’t seen the stories of many ninjas such as Naruto Koga Iga, the audience would definitely be concerned about ten of them. The ninja feels awkward at the persistence of fighting and the argument that fighting is the meaning of survival, but instead asks how this cruelty is cultivated? It seems that the wrong thing is the ancient shrinking ninja, not the era. The movie can’t give us clues, and the novel just provides us with another in-depth text. The film’s abandonment of the history and daily life plots between the villagers of Iga Koga undoubtedly reduces the expression of aesthetic conflicts in the novel, such as boys and girls. If the protagonist’s warm story can be cut into a scene when the protagonist dies, it may deepen this sense of conflict.
In the beginning of Shinobi's film only two or three minutes, even viewers who have never read the original can guess the ending, which is known as the "Romeo and Juliet" of Japan. But what is wonderful is ninjutsu, and what is wonderful is a duel. As for the tragic ending, smart people have already seen it at first glance. But we are still obsessed with ninjas, samurai, and onmyojis. It is the stimulating visual sense of phantom movies, or the feeling of avoiding ups and downs through dreams.
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