What a boring subject, I'm so proud of it. It was born out of Ussnar's "Time, the Eternal Sculptor"... There is no doubt that time has multiple personalities, and it makes good use of blind eyes. I lacked love for Kim Kidd, even though he shot "Empty Room" that made me surging and silent, but in reality, he rarely touched me ("Empty Room" is an exception). I watched "Samaria Girl" years ago. The clean bodies of teenagers tried to redeem the dirty souls of dozens of years. I always remember the look back when the girl jumped onto the window sill in pure white underwear before jumping off the building. Laughing, charmingly naive, my stagnant water did fluctuate a little at that time, and then when a client refused to visit a dying girl, it fluctuated for a little bit, and then there was no ripple. The ground is calm to the end of the play... Kim Kidd, he seems to be pursuing a seemingly indifferent heart-piercing, but I always see some traces of hypocrisy, no expression, no expression, except for the wretchedness of the man and the anger of the father. It seems, Every action is always moving for the sake of action, and every expression is always moving for the sake of expression. Deliberately. This reminds me of some self-defeating so-called literary films, which are always erotic for the sake of eroticism, always inexplicably undressing inexplicably, inexplicably unifying, without origin and process. Stupid. I always think "The Samaritan Girl" is one of his big failures...Huh? Did you win a prize? What award? No matter what the award is, I don't recognize it anyway. Combining the previous "Drifting Desire Room", "Bow", etc., I summarized his characteristics: blood and blood. Fuzziness can be the overall fuzziness, or it can be divided into three parts to understand, one is blood, the second is flesh, and the third is fuzzy. One or two is the camera, and the third is emotion. Although he is used to extremes, for example, his men are always killing and his women are always being prostitutes ("Empty Room" is another exception, "Empty Room"'s extreme form is concentrated in silence... Look, I always like him "Exceptional", his abnormal attitude, look, I said that I lacked love for him is justified), but he is not sharp, really, he can only be ingenious at best. Lack of love, but always full of curiosity, waiting for his new film; there is no contradiction at all, I just want to know what weird thing he made again. Time flies fast. In 2006, when he released "Time", I caught the pirated DVD and pounced on it like a wolf, and once again confirmed that I would not wait for him. Can I not like the heroine? Cheng Xian'e, it seems that she is very popular now. The filming of "Lover" is very spicy. It shows her graceful body and blindfolded eyes, which is quite personal. Including the previous "The Scarlet Letter", she doesn't have many scenes. , But most of the time when she is naked or wet, I always feel that the director is bullying her. I happened to watch the VCD on the bus during the long-distance trip. I happened to watch it twice. I had two deep feelings: First, beautiful women fight with each other so beautifully; Second, beautiful women wear few fights, why are they so bleak... Actually Karen Mok and Zhao Wei are still They are all dressed normally, just like Shu Qi, like a bunch of cloth strips. In the play, she and Zhao Wei play sisters, and the two have a mess in the bathroom. I noticed that Zhao Wei is wearing boxers and she has nothing. Wearing it, just dashing around like that, but the camera hides everything that should be avoided. At the end of the trouble, she turned around and wrapped a bath towel, shaky... I felt that the director had bad intentions at the time and reminded the audience everywhere that this woman had filmed Third-level film... Can Hsu Chi not cry when she won the Golden Horse Award? You said she was so embarrassed over the years, how can people with fireworks girls be rich... I'm sorry, I inserted N sentences)... The body is her capital, but I really don't like her appearance. The crooked mouth is not a shortcoming when she smiles. The key is that her eyes are always ambiguous and greasy. To put it bluntly, this is the expression of a typical inferior vase. Its level of vulgarity is almost comparable to that of Xingyan's screaming and screaming... Well, in fact, she hasn’t been without Xingyan’s screaming and screaming in Time. . But to be fair, Comrade Cheng Xian'e still made progress this time. There was one scene where she was disheartened and grinning at the camera. It made me hairy. It was shocking, so I decided that this expression was not As usual, there is always some content and some strength... Please skip the above nonsense, now I officially start to talk about "Time". It also has another translation called "Lie Yan", which is an extension of the free translation of the content of the film. I think it is more lewd. For three years, a woman thought that the relationship was a marathon, thinking that the man was completely tired of her, and suddenly disappeared from the man’s life, she went for a full-scale plastic surgery. After six months, she wore a beautiful face (I don’t think it’s pretty, ha ) Reappearing as a stranger, constantly stimulating the man with the freshness of being smart, the bed, the bed, and the graceful body with blinding eyes, but the strange thing is that the man's body keeps betraying, but the spirit is extremely loyal, and he keeps saying " Still" in love with his "ex-girlfriend" who left without saying goodbye...In fact, in the past six months, the man has not been idle at all, dating in groups, and openly prostituting with friends, friends, and prostitutes, it is almost all evil, but he still has the face to say "still." It can be seen that the long-term erosion of time has not weathered the desire, but is urging it. At a certain moment, the negative becomes positive, and weary and weary, which may be the so-called nostalgia. In fact, at least half of the "weariness" that a woman had previously thought was aimed at time, and her innocent face was really innocent. The illusion of "nostalgia", mixed with the habitual force of old love, rushed in. The stupid woman was immediately moved and began to self-pity incomparably narcissistic and unreasonable. The question now is that the face is no longer the original one. What should we do and what time should we do. Undoubtedly, compared to the limited lives of you and me, time always seems endless, as if because we can’t see the outside of the galaxy, we always don’t understand whether the universe has an end; the so-called eternity is that we will see until we die. An old fairy who doesn’t know whether it will die or not, but time, eternally parasitizes the waist, face, bone marrow, and cerebral cortex of human beings, accelerating looseness, old age, boredom, intolerable... the end, We look back kindly, hoping it will come to the end, but it is colorless, tasteless, bodyless, invisible, unconscious, and unfeeling. It is definitely not our kind. Time is not our child. It is just a joke of God, only magical by God. Lech or black hole, parasitic fetus. It sucks forever. We were fooled. Men and women were all fooled. What to do, time will not tell us, we can only make our own decisions. So the woman changed her face on her own terms, and the man also changed her face after knowing the truth. He actually did that. The remorseful woman in this new one, waiting for six months, kept meeting men in the vast sea of people. Every time she met, she naively thought that he was back, but she also found out at the same moment of conversation or handshaking. , It’s not him... She even waited anxiously for a certain man to come out of the bathroom in a certain room before she collapsed before an album filled with a complete set of photos of the new man from childhood to large. No, no, no. , So flee, flee hard... Fleeing and chasing are the basic state of this man and woman. When the woman finally finds the man, the man is still running, and the woman is still chasing. My pungent she-wolf sister will definitely scold: Love is coming to death, and finally meet again, but hurry up and chew, play with cats and mice, and eat and support. The ending was shocking. In chasing and fleeing, the man was unfortunately hit and killed by a passing car. We and the woman both had no time to see his new face. Under the wheel, there was another bloody mess... I was finally shocked. I thought about it, most of it was shocked by the accident of the turning point. This shock was like the trembling of a plastic surgeon who slipped through the anesthesia under a scalpel... Well, at this moment, Cheng Xian'e opened her eyes and screamed in shock. So I regained my peace. Jiang Wen said that the key to whether a movie is a good movie or not depends on whether it can excite people. In this sense, "Time" is not a good movie to me. Warning: Too many times, our self-righteous construction is completely destroyed; deliberation: whether the dispersion of love in time can be recovered by unscrupulous struggle; question: we are always deliberately changing, our intention is perfect, we Changing clothes, changing looks, changing language, even changing our own original face...whether we gain more than we lose. Is this the main theme? I am not going to pursue it. The results of the investigation are often just wishful thinking. On that day, Liu Zhenwei saw other people's evaluation of the "postmodern deconstruction" of "Western Journey", but he was not at a loss. Our principle is to only look at the puzzles and not ask the correct solutions. Besides, if you can't tell, Jin Ji-de will be happy instead, he is flesh and blood and vague. And if he is really interested in discussing the far-reaching impact of cosmetic surgery on Korean society, then he is half clear. I always think that he lacks understanding of his protagonist. He is always extremely free and standing outside the circle. When his protagonist died nine times in the play, he did not criticize or sympathize. He just watched this comic from a distance. Yes, shadow play... His image in my mind is a hard, sneer face. My hypothetical insensitivity. The hard face was blurred like this. I don't like the face. Recently I read the argument of the British critic David Daches: Tragicists always want to participate in and share the world, get what he deserves, and are always aware of his position in the world and possess a strong desire for possession; On the contrary, the comedian gave up the world, did not want his share, retreated to a completely detached bystander, and no longer cared about his place in the world. (Compiled from Guo Songfen’s comment on Mu Xin’s prose "Comedy·Beyond the Shore·Intellectuality") It is mechanically applied, so, is Jin Jide a comedian? But it's too different. Apart from "Empty Room" (except "Empty Room"), can you find a "comedy"? Or maybe you think that the pierced hook in "Drifting Desire Room" is a mockery of desire or motherhood? Emerson said: Stupid people pray, geniuses are brisk mockers. God knows if it's me as a stupid person that doesn't mean his "light ridicule". His "non-commitment" is very unsafe for me, and I even doubted his sincerity. The least unexpected explanation is the gender difference. Oh my god, let me pray forever. It's not that I don't notice, I just don't like it. I don't like it, so there are reasons to be faulty. Time flies, two hours, the man has been in for a lifetime. Love or not, I’m too lazy to talk about it. Kim Kidd’s hysterical state is like a sickness, and it appears without surprise. I really don’t think "love" is a theme, props, or not polished props, a little bit stiff. Speaking of style, I always feel that such a crazy choreographer, looking for a well-behaved Korean to perform is really distorted (but the big background of the popularity of plastic surgery is an appropriate choice), there is a French film called " "Two Little No Guess", it’s so good-looking, the pair of men and women are more crazy than them, fanatical than them, and more "full of food and support" than them... "Time" always gives me the illusion that a group of Koreans are acting in France; And the habit of going to bed at every turn is really not suitable for lovers who are embarrassed to hold hands after acting in more than 20 episodes of Korean dramas. It is like an Italian style with coffee and bed only one foot apart. All in all, the filming of Kim Kidd is very internationalist, pro-European and pro-European. Hahaha. But I’m not surprised at the fact that he doesn’t sell well in China. Koreans’ tastes are "My Savage Girlfriend" and "If Love Has Providence". "Man", in a group of warm and teasing light and shadow, Kim Kidd is really an exception. I like odd numbers, such as Park Chan-wook, but I don’t like Kim Ki-duk-undoubtedly, he is mine, the odd number among the odd numbers. It’s not that I can’t understand him all the time—I’ll be like a certain of his fans. After watching the movie, I’m dull and depressed for a long time. It’s just that he thinks he was "hit", and I think I was "Toying". His character, the edge of life, and the single-line way of thinking always remind me of single-celled organisms like Paramecium, which are so simple that they have no lines. A kind of humanistic care? perhaps. Such a character has its own charm, but I don’t like it... plus all my suspicions about his "face"... It seems destined that I have to stay away like this all the time (to put it bluntly: anxiously waiting for him to release the film , After it came out, I complained that he didn't take pictures to my appetite, which is essentially cheap...I know it). Or maybe it's just a disagreement in the way of expression, but it's precisely his way of expression that has been attracting me. So, since the eternal parasite of time is so cunning and omnipotent, I might as well wait and wait for the next weird thing by Jin Ji-de, and see if he can change, and if I have defied. PS.
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