"Under Her Lips" (2017) directed by Canadian female director Aipro Mullen, the plot can be ignored, or the popular story is the same, but this is not to say that she has nothing to admire. On the contrary, her graceful display of artistry between lesbians is vivid and fragrant, and it is very different from the general tertiary films, and has an extraordinary quality. This quality can be summed up in the "carousel". In short, the picture is smooth, reflecting the enjoyment of the intersection of the two women.
The mirror image of the film always focuses on the love between them, and there is nothing jerky or abrupt in the circumstance that snakes through the bed-brothers. Sex or eroticism, sex is the prerequisite, and love is the foundation. There are also new ideas in the role collocation. What kind of spark will occur between the female construction repairer Dallas (Erica Linde) and the fashion female editor Jasmine (Natalie Creel). The tide is surging, and the piano is in harmony. Who says this is not love.
Actress Erica Linde who appeared in Dallas, although this is the first time she appeared on the scene, she feels extremely sophisticated and full of drama. Her strength was against a Jasmine who seemed to be weak and in need of care. In the film, Dallas, dressed up and acting like a tomboy, was able to beat and beat on the roof, attracting the attention of Jasmine in the opposite room. A woman working like a man is really unique.
At this time, Jasmine has her fiancé, Rayleigh, and the two are planning their marriage. After Rayleigh went on a business trip to Arizona, this short window of time made her feel lonely. It seems that the movie is telling us that women are afraid of loneliness and they should meet. As a result, the two ran into each other at night. Of course, Dallas took the initiative. Although Dallas is a master of pulling and pulling in the film, it is true and unstoppable for Jasmine.
There are several scenes in the film, which are a bit stunned. One is that Jasmine lay alone in the big bathtub, letting the tap slam, flushing against the hidden parts, thereby triggering an orgasm. Dancing with the water is also eye-opening. The female director thinks about novelty. Presumably this is her experience, not groundless. From a female perspective, the exploration of the mystery of the female body is better than the imagination of a male director.
Furthermore, the film does not hesitate to speak in the mirror, for the full presentation of their sex, it can be described as exquisite and extremely delicate. This is relatively rare in North American films, and I thought I was watching a Danish film. It can be said that its quality is better than Tindo Ballas's nonsensical flirting. Of course, Jasmine couldn't stand the temptation of Dallas, and immediately fell into the palm of Dallas, unable to extricate herself. Before, Jasmine didn't know she had the potential for Lara.
Does the movie provide a hint that the uniqueness of women is both. Or just wishful thinking of the female director. But Molly was still thinking about marrying her fiance Rayleigh. When Rayleigh came back from a business trip, she was shocked to find them both naked in the bathtub. Under Jasmine's pleading, the prerequisite for Rayleigh's change of heart was that she and Dallas would never see each other again. Jasmine choked up and agreed. When I went to Dalastan Chen, of course, the family was happy and the family was sad.
Dallas has never lacked women. As long as she stands in the night field, with her unique charm of lesbians, she will make those lesbians take the initiative to hug them. But she loves Jasmine. Jasmine, who returned to Rayleigh's embrace, was not happy. It looks calm, but my heart is turbulent. Similarly, the two were soaking in the bathtub dryly, but Jasmine couldn't find the feeling of excitement with Dallas. The bed doesn't work either. Nowhere. All her thoughts are in Dallas. "Under Her Lips", there are only lace borders where light and dark intersect.
In the end, on a sunny riverside, the two reconciled. The movie won with Lala's persistence. This is of course deliberately done by the female director. But what I think is still the scene where they are passionate together, they are digging into the climax point that makes the body and mind happy. The control of its rhythm, the variety of postures and techniques, and the muttering, all ignited the blue flames of sexual nature. Indeed, this eye-opening movie, detonating the chameleon of the female body, is really cool.
2017, 12, 9
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