Seeing him rising from a tall building, seeing his building collapsed.
"The Loudest Voice" is a biographical TV series of Roger Ayres, the big man behind the American right-wing media Fox News. Become an important microphone of the Republican Party of the United States. The focus of this play is not on how Ayres messes up the political situation, but on how he achieves his ambitions and step by step toward madness.
The first half of "The Loudest Voice" emphasizes the importance of sound. Audiences do not want to watch the news, but the news they want to see. This is Ayres’ most important news concept, and this concept has enabled Fox to quickly gain a large number of American right-wing audiences-in the 90s, all the media’s positions were in the middle. When he turned to the left, Fox gave the Republicans a megaphone and also let right-wing audiences see their "real news." The headline party, the Ministry of Shock, take out of context, create opposition, and the tactics used by the media today are nothing but a piece of cake for Ayers.
In the second half of the series, "most" seems to have become the key to Ayers' life. In other words, "control" has become a true portrayal of the rest of his life. The control over people and power, the control over sex and desire, the more you control it. The swelling grew more and more so that in the end his subordinates, his colleagues, his boss, and his party all "betrayed" him. Some could not stand his control, and some he could not control. In the second half of his life, Ayres is like a more filthy and corrupt Francis Underwood, unscrupulous to achieve the goal, and will never compromise unless the goal is reached. If the Frank of Kevin Spacey is a loyal fellow The fox, then Russell Crowe’s Ayres is an incredible tiger.
But Ayres is not a God who knows everything with all hands and eyes, he doesn't understand the truth of prosperity and decline, so when everyone turned his back, he didn't know that he himself had ruined it all.
"The Loudest Voice" is certainly not an objective biographical TV series. It has a clear left-wing perspective. For Ayres, he describes the character from a critical point of view, but this does not prevent the show from becoming a TV series. Solid, outstanding and even thrilling biographies, such as Russell Crowe and Naomi Watts, actress-level performances are even more icing on the cake.
From this drama, we may be able to see how much pleasure the control of the desire for power will bring people. This pleasure not only brings pleasure but also corrodes the mind, otherwise we will not be happy and quickly hit a series of attacks on the keyboard. The words, the kind of stimulus that offends others and makes others speechless without any responsibility, may be the only control that humans can control in the era of the Internet of Everything. Perhaps it is like this: In this era, everyone is Roger Ayres .
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