Another ambitious peak work by Wu Yusen. The plot is similar to that of a hero, but the background of the times is moved to the Vietnam War, the scene is bigger and more realistic, and the gunpowder is more explosive. Thousands of refugees fled, the armored tanks and helicopters were fully armed, and the artillery was deafening, and the cruelty of the war was restored.
The big scene is produced, the real background, and the stark contrast to this is the fictional nature of the characters' bizarre fate. The era background of the hero's true nature is not so vivid, and it can almost be understood as an overhead background. There is a lot of room for building a character's image and destiny. Once the background is implemented, the characters' words and deeds must be in line with the atmosphere of the times, otherwise they will be awkward. Under the background of the age of the Vietnam War, the three brothers mixed into the gang and single-handedly subverted the gang, which seemed reluctant and unreliable. The audience can accept it in an overhead background.
After being captured by the Viet Cong, Jacky Cheung was forced to shoot and kill the Americans. His crazy acting skills were impressive. Songshen's acting skills are perfectly presented in this passage. Apart from that, it has been a little bit in other paragraphs. Everything goes too far, it's the best footnote to madness. Geshen's face is always a little too white and tender, and his eyes are always staring out to the fullest extent, so that it develops into an Internet celebrity hot map, which is not accidental.
Wei Zai's plays can be retracted and played, moving and static are appropriate, and always perform exactly the director's intentions. The passage where he was forced to shoot at his brother was raging, crying without tears, and tears in his laughter. Various ambiguous expressions flashed on his face, professional. It's a shame not to win the prize.
In comparison, Jacky Cheung's play always feels a bit rush. Especially when the three of them are in love with the part of the showgirl at the same time, Jacky Cheung's affection always seems to be forcibly grafted on. It is appropriate for Ren Dahua and Wei Tsai to fall in love with the singer at the same time. The three are in love, which seems cumbersome. About "The True Colors of Heroes" got off to a good start, but the inadvertent snatching of the show made a blockbuster, creating a classic. The main creator adopts a tacit and conniving attitude towards "grabbing the show".
Ren Dahua plays a Chinese-French professional killer, handsome in appearance and agile. He is also the iconic "prodigal son" role in Wu Yusen's films. He wore a white suit, a sparse beard, and a smile of death. Ren Dahua is Hu Zhazi's sexiest Chinese actor, not one of them. Wu Yusen's "violent aesthetics" is perfectly presented in him. Smoking a cigar and chatting with the luthier, gracefully fetched the cold pistol from the bottom of the piano. Suddenly broke into the men's room and looked at Weizi affectionately. When the audience thought that the two were about to burn, the next second they pulled out the pistol and shot. He took out the cigar and lit it, took a sip, clamped it on the doorknob, and slammed the door open. The cigar bomb is amazingly creative.
And Yuan Jieying... Oh my god, is there any more pure beauty than this? The facial features are meticulous, the eyebrows are like a crescent moon, the eyes are like almonds, the bridge of the nose is long and slightly curled, and the pair of stubborn, sensual lips. The most typical "Southern" face shape, so her "Blue Phoenix" will be so classic, because it meets people's most perfect imagination of the Miao people. There is no lack of innocent ladies in Hong Kong stars, but innocent women like her are slightly flattering, flattering and not gaudy, this is the only one.
The camera transfer and montage technique are of course Wu Yusen's good at. The one that impressed me more was the scene where the Viet Cong shot a human bomb. This scene was extremely realistic, and the three brothers were so frightened that they performed well. When the human flesh bomb fell, the camera cut a statue of "The Pietà", which expressed sympathy and was naturally unobtrusive.
Of course, the most classic set of clips is the final battle between Tony Leung and Li Zixiong. The two drove a Mercedes-Benz to fight each other for their lives, and the three brothers drove their bicycles to chase and play with each other when they were young, which is very sad and ironic.
Young people, you have nothing but you are so happy. You are now so rich but you die and die.
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