When I went out for business today, I met two old friends from the same industry that I hadn't seen for a long time. They said that I am really not suitable for selling pesticides, because when they look at my circle of friends, they always think I should be a screenwriter or director. Of course, I don't think I'm talented, but I find that I am so stupid that I often write, direct and act by myself, which is pretty good-looking. So I decided that my ideal in life is to be a screenwriter. This way I can have indescribable things with beautiful actresses.
Oh, let’s talk about this movie that let me take a screenshot. Each has their own love, the female partner’s looks really kill the heroine, because she has played "Buy a boyfriend with a loan" and the bath towel has fallen off. But what I still like is the heroine, the love of beauty, everyone has it, this is human nature. But I have always felt that the true beauty lies within, and beauty lies in the bones, not the skin. The beautiful things that human beings really love and cannot resist and refuse. It is the human heart, the kind thoughts in the human heart. Just like Zhen Mi in the Three Kingdoms, the dead wood Lucia in this movie.
In fact, I always think that sci-fi or ghostly works have a common advantage. That is when we break the conventional scientific basis and the new world outlook created by the real environment. Many delicate and unspeakable emotions deep in the human heart can be better concretized and embodied. In other words, it can show the human heart more intuitively, whether it is good or evil.
I especially miss Amway for this movie. It's not that an ordinary person suddenly has great abilities, and then has to be particularly passionate about saving the world. The greater the ability, the greater the responsibility. What movie special effects are great, his special ability is very enviable. Such as the stupid Marvel.
The difference is that the movie allows us to see the good side of many people. Through superb actors, directors who can tell stories, and screenwriters who use mere events but the inner motivations of characters to promote the development of the story. The nostalgia and guilt of the male protagonist for his mother, the estrangement between the male protagonist and his father, and the guilt and guardianship of the female protagonist towards the male protagonist are contradictions between old enemies and friends. Delicate emotional expression, everything. It's all because when a person finds what he wants to protect, he becomes powerful and even makes sacrifices. Whether it’s family, love, or friendship, it’s because of fetters
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