- solution to a problem
erratic music, the rhythm of gentle, soothing leisurely under the lens, a pair of lonely men and women mutual attachment of the story.
The poster is beautiful, but it has a boring atmosphere. However, the amazing thing is that the whole process of watching the movie does not make me feel boring and long. It can be said to be quite beautiful. Departing from Wong Kar-wai, Du Kefeng's bright and smooth shots are permeated with a fresher ocean atmosphere. Only the image of the heroine who is slowly breathing smoke is familiar.
1. …Last life in the universe
Tadanobu Asano plays the role of a cleanliness man Kenji this time, who looks weak and slender in front of foreigners. Tadanobu Asano's expression is very interesting. He feels that his pouting and serious look is a bit like Ge You in "Carla is a Dog", with a trivial and weak character of a small character.
At the beginning of the film, in a quiet and strange atmosphere, Kenji fantasizes about the impending suicide.
"This is happiness," he wrote.
Just temporarily fall asleep, then wake up and throw into the next life.
The Japanese like to describe death with a soft and greasy brushwork.
Is it a pathology to be keen on suicide? It is also because of the over-sensitive and delicate psychology, or "exploring the three spring scenes are not long", seeing the perishable existence of beauty, the more beautiful the more impermanent.
The Chinese rose is a rose in full bloom every month, lacking a little bit of noble charm, and more pungent like Qin Luofu; the cherry blossoms in the East are bright and fragile, but they are the most impermanent and fragile.
The wings of flowers really don't know how to fly until death. Birth is like summer flowers, death is like autumn leaves, or vice versa.
Because I can’t find a place for happiness in this world, I hope to find compensation in another world. Hope is always there. It seems that Kenji is interrupted every time he commits suicide. The real him may just want to kill his own boredom and Loneliness attracts the attention of others. People who fantasize about discovering the fact of their death are shocked and stunned. Their souls are floating in the air, smiling and watching the pranks during their lifetime.
2. Just be by my side... The
cyan dream of suicide stopped Yu Kenji's encounter with the heroine Noi, an unromantic encounter, and witnessed the death of Noi's sister together. People often die easily, but they bring unrestorable sadness to the living, which is the so-called emotional stumbling. The invisible rope binds two lonely people together, enjoying the temperature of cuddling each other.
"Motor Boy Diary" records the passionate youth passing by, holding high the flag of enthusiastic Pan-Latinism, and the Wen Wen's "Yu" piece implements Wen Wen's Pan-Asian spirit. The feeling of loneliness was left in the meantime, and it was very light, and evaporated in the sea breeze of Southeast Asia, leaving only a cool, salty smell.
I like to watch Noi half-lying on the sofa spitting out smoke rings, his expression is indifferent, sad, like smoke melting in the hot and humid air, revealing a lazy sexiness from his bones.
3. …And others
"The Great Phantom" (Kurosawa Kiyoshi). The emptiness of two people. A very boring film, almost like a silent film. I don't remember the details clearly, all I remember is the spring of 2005, when pollen was all over the sky, an unreal sense of blur.
Loneliness is like pollen, pervasive, choking uncomfortable.
I thought, do the male and female actors really know what they are acting? It is still like what Cai Mingliang said, to hollow out and present yourself, a purely natural self, as long as you retain the strangeness, alienation and silence.
"The Goddess of 1967" (Luo Zhuoyao). Journey of a Japanese man and a blind red-haired woman. Is Australia the center of the world or the border of the world? The sky fell very low and low, and its magnificent colors resembled the light of the last days. The dreamlike picture is a lonely picture scroll of two people.
"Love in Hiroshima" (Alan Renai). "I have tasted his blood, I remember the taste." At the beginning of the film, the lens is almost close to the subject, and the skin texture and painful face are imminent.
The encounter between a Japanese man and a French woman. Even if the language is the same, can you understand the feelings of the other person? Hiroshima, when she looked back, the pain was like a bright mark, reflecting the sadness of her heart. The moon at that time, lonely, turned into today's sunshine.
4. I feel close to you...
loneliness is a kind of illusion, to see one's own sadness, and the endless emptiness of helplessness.
The director's face behind the camera may be exactly like Kenji's expression, calm, with a hint of cunning. The ending is more subtle, with a clear background, and still a bit fantasy.
No matter when and where, there is always someone
in the world ... The lizard alone wanders at the end of the world, waiting for death. However, as long as there is another existence to make yourself feel warm, maybe you can feel some happiness and gain some courage and strength. It seems that at the end of the film, Kenji, who is smoking a cigarette in handcuffs, thinks of Osaka and Noi, with a faint detached smile on his lips.
http://bodhicat.blogbus.com/logs/2005/04/1111196.html
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