This movie inexplicably reminds me of Yu Hua's "To Live". Suffering is part of life, but it will continue. The heroine of this film treats wounds in a special way. They use religion, forgetting, and love to soothe, cover up, and transform their own suffering, torture and misfortune. After all, paralysis and forgetting are still being awakened by the girl’s abuse (I don’t know if the little girl is The real is still fictional like a snow-white god, reflecting the self in childhood), the painful fragments are connected together, restoring the truth of the incident, and revealing the gloomy state of society: the death of the male sponsor partner domino triggers more illegal crimes The bad police has committed long-term crimes at large. The husband’s death is not only sad but also relieved for the bad police’s wife. The criminal leader fears that the police will force the black boy to top the bag and he deserves the crime. The subway peddler can only remain silent when witnessing the crime. The deductive social ecology seems to be so seriously ill. Perhaps the heroine’s religious beliefs and selective forgetting are all to meet the needs of survival! In addition, the heroine's smile at the beginning and the end of the film echoed before and after, interpreting the contrasting life and psychological state, which made people feel embarrassed.
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