Truth and truth

Myles 2022-01-18 08:01:25

The two often deviate from each other, in love, because of the time difference between entering.
For example, I always can’t figure out why Maggie fell in love with that violent second generation?
It simply makes no sense.
But the easy thing is to fall in love, and the harder thing is to persevere, isn't it?
Obviously, a wider person is more likely to sway his temperament, making it easy for people to feel that many inductions and actions are just for him.
As for those who have no money, that's obviously another story.
But even so, there is no good reason for the backlash of the wandering and aspiring young people.
So they both deserve to die, one for his carelessness, one for his cruelty,-leaving Maggie to scream.

Although the content is a popular movie, with wide, young and beautiful women, the protagonist is the unfair youth in the end.
It's fair to see it this way.

I wish you all happiness.

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Extended Reading
  • Norberto 2022-03-17 09:01:07

    Almost all of the episodes are Deron’s personal shows. In fact, from the perspective of Deron’s life, he is indeed suitable for this role. He should understand Ripley’s feelings very well. Of course, he did not go to imposter, he just went to make movies. (Impersonator to replace more people?!). . . The narcissistic performance of PS Deron in the mirror is really amazing, and it also very intuitively expounds the split of this role. . .

  • Keely 2022-04-22 07:01:48

    The Mingra version is like a sleek cobblestone in form. The old version has a fusion of wild energy and elegance unique to French films. It has not completely lost the rebellion of the new wave. It seems that the new version is more closely woven into the psychology of the characters. In fact, the former has The latter may not be without it, but it is more hidden. It wants you to feel the psychological distress through the actions of the characters. The intensity of the embarrassing action when the body is bumped on the sea is so intense that it goes directly to the audience's heart.

Purple Noon quotes

  • O'Brien: All is vanity! The rest is ash!

  • Philippe Greenleaf: That's why you took my bank statements?

    Tom Ripley: Exactly.

    Philippe Greenleaf: So you kill me and you're rich?

    Tom Ripley: Don't miss a trick, do you?

    Philippe Greenleaf: It seems awfully complicated. You'd be caught immediately.

    Tom Ripley: No necessarily. I might not look it, but I've got lots of imagination.