A lot of things are like this. I worry about being incoherent when I say it. The director is too good at telling stories. The seemingly innocuous elements actually contain inexhaustible plot foreshadowing, the narrative is steady and subtle, and the pictures are freehand and lyrical.
From the perspective of a bystander, we can capture the struggle and entanglement of the characters' hearts. Love is important, self-important, and life is also important. When these three are intertwined into a "have and only" choice, what should we do? ——Love is precious, but life is more expensive. If it is for freedom, both can be thrown away.
Even if the heart is devastated by the current situation, it can be radiant and colorful when you meet the love hand rejuvenation. People always use their longing and yearning for another unknown field in the future to comfort the misery of being imprisoned at the moment. They think it is a colorful bubble, which can only shine under the sun, but it is also gorgeous for a while. Dazzling, will eventually be shattered.
Everyone has the right to look forward to, but people will eventually have a sober day. I originally planned to pursue my love and the happy life full of expectations, but when I saw someone who needed it more, I made a choice to question myself.
Perhaps, Barbara already knew exactly what she wanted when she gave the opportunity to escape to another person in need. Another option for the unknown, even though it satisfies all my illusions about the future, but the present is truly visible.
get away? Where can people really escape? In the face of the big environment, the situation and the turbulence, in addition to fleeing, there is endless fleeing. There is no belonging in the heart, and fleeing everywhere...
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