Most people should have watched this film for the first two "Assault" and the male lead Iko Uais, and in the beginning of "Headshot", it was also in a dirty and dim cell, wearing a The prisoner in the prison uniform was mopping the floor with sewage while coughing, and it seemed that it was getting more and more dirty. This scene really has the feeling of the building where the criminals are hiding in "Assault 1" and the prison of "Assault 2".
However, the following plot is a little bit riddled. A police chief with a few police officers with live ammunition said to the big villain "Daddy": You will be executed tomorrow. It's God's eye. As a result, the mopping prisoner who was coughing and watching to die used a knife and a pistol to kill several police officers with submachine guns in succession, and the "daddy" escaped in such a big way. Are Indonesian police all idiots?
In the same way, there is also the episode of the bloodbath of the police station, which may be said to highlight how awesome the villain is. This is how the plot is set (this is the case in many police and criminal films). But further back, the hammer children in "Assault" used their bodies to block bullets during the murder, and in many gunfight scenes, the characters can hide behind the wooden tables and chairs to be unscathed. It is really too mentally retarded. Is the bullet even the corpse and the bullet? Can't beat the wood?
The baseball man and the hammer child in "Assault 2" continued to appear in "Headshot", but a few games were really far from the "Assault 2". The baseball man put on a swing stick. For a moment, I still did it. I am looking forward to a scene similar to that of Yen Zidan in "Breaking the Wolf" with a swinging stick, but the next fight is very weak. There are a few shots even like two women tearing each other. There is no logic in the opening and closing of the moves. Said "to make a killer move" but didn't see any amazing performance, and the one who died in the end was also inexplicable. Although these killers have added more lines to the characterization, the characters still appear thin, and it is better to not say a word and exist purely as cold-blooded killers.
As for the emotional drama between the male and female protagonists, it is widely criticized by movie fans. The heroine loves inexplicably. Although she is a doctor by profession, is there any reason to fall in love with a strange man who floats over from the sea and loses his memory? Is it just to look at his face? But the scarred and dark face of the male protagonist is not so handsome (not for actors, but for characters). Moreover, he has put himself in a dangerous situation several times without hesitation. The existence of the heroine does not seem to have much significance except to let me know that "Oh, there are such lovely girls in Indonesia".
The climax of the film, and the only segment that can be called the highlight, or "pass", should be the last part of the male protagonist's fight with the big boss dad. As the highlight of the film, the director did not deal with the errands as before, more or less let me see some wonderful action designs.
The big BOSS actor is a Singaporean actor, martial arts instructor, Chinese name Feng Tuishou, proficient in boxing. However, some savvy fans pointed out that the kung fu he used in "Headshot" should be the tiger-shaped boxing in Hong Quan.
However, just like the previous two "Assaults", after a few fights, the male protagonist has many wounds and hemorrhages. In the end, he has not fainted and is a bit non-human.
In general, after watching "Headshot", I don't know if I should continue to look forward to "Assault 3". In terms of the degree of blood and gore, "Headshot" is better than "Assault", but it makes people feel visual fatigue if they are too showy. The existence of dog-blood love stories seems to be able to attract some female audiences, but on the whole, this film is very boring, and it is almost impossible to watch it again after watching it.
Domestic kung fu movies have been declining, and it is now difficult to see a work that can be easily obtained. In Southeast Asian countries such as Thailand and Indonesia, although there have also appeared stars such as Tony Jia and Iko Uaisi, but It’s a shame that they have begun to decline before reaching the top.
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