It is also dark tones, bloody killings and deathmatches. It is also the hero of Iko. This headshot is not a sequel to the raid. In fact, the director is not the same person, but you can see many classics in this movie. The shadow of the movie, the amnesiar, stays in the mind from time to time to give a bullet that flashes back from time to time. Since childhood, we have cultivated killers who kill each other. We can see how much the director and screenwriter hope this movie will become a classic of Indonesian action movies, and then give it to At the beginning of a film full of urine. (The following is the spoiler, I personally think that action movies are not afraid of spoilers, because the framework is similar, there must always be an old-fashioned reason for the protagonist to go in and out of Longtan Tiger’s Lair)
The beginning of the film is the big boss’s jailbreak without technical content. When the cleaner like a good person unhurriedly took out a small piece of dark wood thorn (yes, I look like a sharpened wood thorn) from the bucket, I immediately concluded that "a master is definitely a master." The wooden thorn perfectly avoided metal detection. In the hands of a master, it was no less than a bloodletting sharp knife. A back stab and a set of multiple assassinations KO several slivers did not run away. Then he killed a person, and then he grabbed the pistol and waited. Turning around with the sliver of the submachine gun, the two sides carried out a passionate shot within two meters of a broken pillar, and no one can hit anyone. In the end, the cleaner and the sliver died together, and the big boss came out of the cell to encourage the inmates to take it. The guns played with the prison guards, lined up to shoot, successfully escaped from prison, and brought out a group of thugs trained from childhood by killing partners. The core ones are the bald man with big and small vest, the man with pigtail glasses and baton, and the girl with the highest appearance and the most water-fighting swordsman. (It is said to be the hammer child of Assault 2. I am blind and do not pay attention to supporting roles).
The back is simple. The protagonist is a gang traitor who was shot in the head and survived. He was picked up by the sea. The female protagonist doctor kindly adopted him. The male protagonist had amnesia and a headache flashback. The enemy found the female protagonist and killed a car by the way. The main serial broke through the barriers and rescued the heroine's hand-blade boss. In general, there are many situations such as "I don't know who stipulated it" and "It's all arranged by the director."
Although there is nothing to do with the protagonist in the gunfight scene, it takes all the urination of this product. Many characters are shot standing up and queuing to be shot. The shot is a close-up of the face. , The body of the person who was shot was trembling, and then he died, and those who didn't deserve to die won't die, that's it.
Although the fighting style has deliberately imitated the death-match style of surprise attack, the level of martial arts instruction is obviously not the latter's opponent. The only villains are the baton man and the boss with obvious personal moves. The big and small bald head is just a chaotic punch + super long. The blood bar is reckless, if the heroine is not the protagonist, it would be damned to make two gestures. Perhaps in order to make up for the unevenness of the actor's martial arts level, the director learned to shake the scene heavily to enhance the tension of the fighting scene. This kind of shot editing And messy moves make the viewing of the action scenes at a discount.
So, where are the real bonus points of this movie? I think it's about the storyboard, props, makeup and scene selection. Some scenes and storyboards accompanied by rain were well shot, reaching the threshold of international first- and second-line movies.
Different scenes against different bosses highlight a theme. The police fight against different bosses, highlighting the villain’s arrogance. The interaction between scenes and objects is the theme; the woods fight the baton man, next to the dry well and trees where they killed other children when they were young. The setting of also gave a reference for the destructive power of the truncheon; like the beach of a honeymoon resort, the girl with an ambiguous battle relationship, the blood on the protagonist’s body drips and the sea water ripples, bringing a stronger visual impact; finally hit the boss, The dark, empty, and narrow basement corresponds to the long-term imprisonment. The two men fought desperately with their fists and feet, and then walked out of the basement to determine life and death. I will not say the final shot. Anyway, it is a good symbol of the male lead’s being. Redemption and liberation. There is no obvious literary drama in this play, maybe it is hidden here.
Get rid of the necessary slow motion of action movies to show the punch to the flesh. The props (plasma and sharp weapons) and makeup are worthy of many action movie peers to learn from, and it conveys the cruelty and pain of fighting. Up the audience. Careful makeup makes you clearly feel that every fight has left new wounds, swelling and bruises on the character's body. The male protagonist will end up with the image of a bruised refugee, even the original female protagonist is also there. After being beaten and confined, there was a lot of bruise on his face, which made me suspect that after changing actors, the injured makeup of this beautiful female actor might be a purple and black corner of the mouth in a domestic action movie.
I don’t seem to be lacking anything at this point, and in the end it was the complaint that I also wrote in my short comment.
Get rid of the usual stalk of the action movie that holding the gun = the combat power is reduced to the level of miscellaneous soldiers. The scribbled face seems to have become a new stalk with the actor Iko. Fortunately, this time the line is drawn on one side, if it is two on each side, again It was drawn by an ambiguous female actor, so please draw it in a cross shape. Thank you. According to the profound setting of the male protagonist's case, if there is a sequel to this film, perhaps the opening scene will be that the male protagonist with a flat head and scars on his face is sitting on a prison toilet.
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