The sword of the Three Young Masters is adapted from Gu Long. There has always been a legend that Jin Yong’s novels can be made into TV, but Gulong’s novels are difficult to make into movies. Because Jin Yong is an expert in making stories, and Gu Long is an expert in creating realm; you can shoot the loyal Guo Jing without any hindrance. , But how do you shoot a master who has no sword in his hand and a sword in his heart? Therefore, the painting master Gu Kaizhi said that it is easy to wave the five strings, but it is difficult to return to Hong. Therefore, Jin Yong is realistic, while Gu Long is classical artistic conception. But film and television are about narrative, telling a story through the actions and language of the characters. Therefore, Jin Yong, who is good at telling stories, can win the favor of Zhang Jizhong and others again and again. However, he is not good at telling stories but is good at creating atmosphere. It’s not difficult to understand that Gu Long, who’s artistic conceptionism, has been difficult to gain the favor of directors since Chu Yuan.
However, this understanding is not just for making Gu Long movies bad. As a film art, since I have the courage to make Gu Long into a movie, in addition to using the influence of the master to make a fortune, he must also be worthy of the word "art". Bar.
Since the film is destined to be narrative, the most basic criterion for judging the success of a film is whether it can tell a story. Regardless of the picture, sound, and performance, everything must be based on the premise of telling a good story. Otherwise, even if the picture is beautiful, the sound is sweet, No matter how cool the handsome guy is and the beauty is exposed, it can't be called a boutique. I think that in terms of storytelling, many domestic films have to learn from the West, especially Hollywood films.
Many domestic films are not without stories or unwilling to tell stories. Their films cannot be successful in narrative. In my opinion, it is precisely because they want to tell good stories too much. Comparing the three young masters seen today with Jisu, it is obvious to compare them. The third young master wants to tell a good story too much. There are too many stories to tell. At the same time, he wants to show it in the picture, sound (language), and performance too much. In short, I want to get full marks in every subject. Therefore, actually The result of the above is that all subjects are failing. The stories I want to tell in the sword film of the Three Young Masters include at least: 1. The Three Young Masters, 2. Yan Shisan, 3. Murong Qiudi, 4. Youwa, 5. Tianzun, 6. The Village Master...at least six stories; Fallen , Growth, love, friendship, conspiracy, parents? Which one is the subject? Which one is the main line? Which one should be the place where directors, screenwriters, and actors need to make good use of their blades? All of them are involved, but none of them have been explained thoroughly. Looking back, look at the top of the speed, the story is very old-fashioned, the young offender closed the mountain for love, and came out again for love, and finally came to completion. The main line of love is interspersed with gangsters, policemen, exiles, speeding cars, etc., but these have not become the theme, and they have not diluted the main line of the story. Therefore, despite telling a cliché story, some cliché stunts, some clichés However, from the perspective of storytelling, it is very smooth and not stagnant. Therefore, at least in the storytelling, in comparison, "The Sword of the Three Young Masters" lags behind.
Therefore, those who originally planned to play three stars were awarded three stars, and those who originally planned to play three stars were four stars.
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