The key gray lines are in the opening few minutes

Fletcher 2022-01-17 08:03:44

The slow motion of the opening minutes reveals two key messages-

1. The figure in the old house:
A little girl is hiding in a cabinet in the house, another little girl ran outside the house and got into the concrete pipe. At this moment, the house suddenly A figure of a person appears, who is it? Then the camera switched, and a boy faced the tree.
God, this man is a criminal.

2 The sight of the cement pipe opening:
The little girl in the cement pipe climbed to the other end and looked up and saw a person she didn’t know well, but this person did not appear on the screen, replaced by the little girl’s sight, pay attention to her The angle of the eyes and the line of sight, then the camera switched to the boy ran to the water pipe and saw her, and her gaze shifted to the boy.

But there is a puzzling point here. The sequence given by the camera is that the figure appears first, and then the child in the water pipe sees him. At this time, the perverted teacher should have left the scene with the little girl in red shoes. Why did the little girl in the cement pipe only see him?

In addition to the opening, an impressive shot is also given at the back of the story. The perverted teacher is holding a cake for the little girl’s birthday. The final point of this scene is the teacher’s eyes, close-ups, close-ups, that’s not a perverted person. Eyes? It's just that I didn't dare to think about it in depth, thinking it was the director's misunderstanding, deliberately confuse me. Then I think about it, eyes can be disguised, can they be disguised? Fatherly eyes and a perverted look are different, I didn't dare to think deeply.
But the next scene was that the teacher’s ex-wife called and refused to let him see his daughter. I immediately thought that this birthday scene might be an illusion of the teacher, indicating that a father missed his daughter too much, which seemed to be nothing. But that look, I selectively ignored it, I was still not perverted enough.

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Big Bad Wolves quotes

  • Micki: It might look like I'm enjoying this, and maybe I am in a way... but believe me, I'd be happy to stop breaking your fingers. Now would you please start talking!

  • Gidi: Don't you want to discuss the strategy?

    Micki: Strategy?

    Gidi: You know... good cop, bad cop?

    Micki: There's no room for good cops.

    Gidi: No problem. Bad cop, bad cop.