I basically accept all actors, except for the Cangzi actor who feels a little thin and thin, and when the Shenmu came out, I felt a little older, but it was just fine. Yu Aoi has a little bit of drama, and she feels resentful. The kid playing Eiji has good acting skills, and I found that many small actors in Japan have good acting skills. When he was crying and crying, the anime scene was almost reproduced, and he didn't even feel that it was ostentatious and powerful.
The fighting is more abundant than the upper part, and the fighting characteristics of each character are very distinct, and the special effects look pretty good.
Some people say that there is a lot of chicken soup. I can accept the chicken soup in it. The original animation is like this. Kenshin has this kind of personality. He was very talkative when he was fighting, and he felt that when he was in the second dimension The tone of this overall theme is actually quite heavy. At that time, it was very helpless and uncomfortable, but everyone was fighting and looking for a new path. Jianxin has been very kind since he was a child, and he has also carried a lot of negative things on his back, not free and easy, he actually wants to influence others more. It's just that a little humor is added to the details and the interaction of various characters, which I think is handled well.
Zhizhixiong's injuries are very similar, and the ten swords are also very similar, and the costumes are all restored. I think this is enough.
I saw Masaharu Fukuyama at the end, I want to say that it must be Kenshin's master Kiyoshijuro Hiko, very emotional, and will continue to watch the final chapter.
View more about Rurouni Kenshin Part II: Kyoto Inferno reviews
