The world beyond the world

Dock 2022-01-17 08:03:33

In the dilapidated bowl, a few fish were wriggling laboriously, and the camera suddenly pulled up. A girl in ragged clothes was watching them. The world where the fishes were was "moisturizing each other", and the human world was suffering from war. , You have no right to intervene in the heterogeneous world, first survive in your own world.

This is a film adapted from the Nazi scar literature. The so-called "perpetrator" reflects on war. The film depicts a sad story with a fresh and melancholic approach. Loho, a girl who is unwavering in Nazi thinking, Entering the world with an innocent mentality, eager to see the beauty of the world described by her head of state, but was unexpectedly shattered by the devastating cruel reality. After his parents were imprisoned, Luohe brought his younger brothers and sisters to the Bavaria's journey to Hamburg's grandmother's house.

The journey under war is destined to be restless and restless, but the director uses poetic pictures and calm water narration to highlight this anxiety. The smoke in the morning and evening of the Black Forest and the air defense alarms that sound from time to time are also reflected everywhere. The restlessness, during the journey of a group of people, even directly pointed the camera at the decayed wound of the corpse, stimulating the optic nerve, and at the same time accusing the war of the fact that human life was regarded as a waste.

When the young girl in Loho gradually transformed, the viewers also received a spiritual baptism. The Germans' reflective attitude towards war is commendable. The wounds "bitten" by lice and the faded black oil paint in the film are all It symbolizes the sins imposed on innocent people by the Nazis, which are difficult to clean. In the face of poverty, hunger and life, all rules and dogmas, and the so-called patriarchy and beliefs are not worth mentioning. Although Lohol buried the past with his own hands, he still retains the so-called Until the truth about the Jewish guy was revealed, Loho’s remaining spiritual sustenance completely collapsed, and she finally understood that the Führer and the Nazis would not bring her food, and that she must live like a beast. The same lingering, so when she rushed to her grandmother's house with her younger brother and sister, and found that it was just another Nazi home that maintained harmony on the surface, she chopped up the sugar porcelain that she had been caring for before. Xiaolu, say goodbye to that "world of dignity" completely.

The so-called growth is just blood and tears.

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Extended Reading
  • Stefanie 2022-03-27 09:01:18

    The storyline is good. Just doesn't attract me.

  • Jakob 2022-04-23 07:03:59

    As everyone said, photography is great. Even if it is a movie with such a theme, I still feel that the picture is very beautiful. Several young actors are very real and like the two little boys, who are cute and naughty at that age, but one of them seems to instantly grow into a little adult because of the sudden death of the other. Little Baby can always cry at the right time. The whole film feels a bit like the salvation of the German Nazis...

Lore quotes

  • [first lines]

    Vati: We can only take what fits in the truck.

    Mutti: I'm not talking about the damn truck!

    Vati: [Lore walks into the room] Hey, here she is! My girl. Come here.