However, there is one detail that I like very much.
The last new play, the background outside the window at the end, was dynamic at first, and the light outside was very natural. Two men stretched out their heads to talk, and there were many patients lying around, calmly and peacefully; then by switching the angle, outside the window The background of "turned into a drawing, and the patients around were no longer there, and then there was a curtain call.
The former is reality, and the latter is drama.
Come to think of it, the last new play is based on Mrs. Steiner as the prototype, Bernard finally admitted her and his feelings. At the final curtain call, the wife and Bernard held hands and whispered for a long time. They didn’t leave until Bernard picked up Mr. Steiner; and, Mr. Steiner’s half-face hidden in the dark, staring at the other two for a long time. His eyes and contemplative silence, facing the audience's call slowly: He has already noticed that she knows his wife's emotions, tacitly agrees, in a certain sense.
Ironically, this is exactly his presence on the stage when he was originally in the cellar; afterwards, he was in the sun and succeeded on the stage.
The three of them stood on the stage, and their wife naturally stood on Bernard's side, which also proved their direct feelings. And when the wife took the initiative to stand in the middle, took the hands of the two of them, and called the curtain together, it was a curtain call for the dark and frightening days. But this is not the end.
Happy ending, love, or new love; the original marriage and hiding, the present light, guidance, love and family affection.
These two men are unspeakably important to her. This play, through these two men, sets off the toughness of this beautiful woman.
The ending has nothing to do with who she belongs to, whether she is a threesome or not; but, she is her and who belongs to her.
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