1. The first time I watched it, I planned to use it twice. In fact, the movie seems to be slow in pace, but in fact, some things passed very quickly. I caught it at the time but didn't react, so I needed a second brush. Second, these landscape shots are simply too comfortable, and I want to enter that world for a while. After the second brush, I feel that if it is not too time-consuming, I actually let me watch it the third time. I am also OK. It may not be necessary to go to the third brush someday if it is really uneven.
2. I liked the girl Yinniang very much during the first time, and became very fond of the girl during the second time. Although this child was born in an official family, his fate is not good enough. Obviously there was a father and a mother, but he was sent away since he was a child. There is a detail that she was sent home by her master and left home for so long. Her mother came out. A mother didn’t pounce on her child for the first time. During the whole scene, she didn’t even look at her daughter carefully. People who don't understand can't see that this is a real mother. First, the former host greeted him with greetings, and sent the former host out. It can be seen that in the hearts of parents, the loyalty of the emperor and the minister is greater than the loyalty. When the parents gave up their feelings for her and sent her away, although it was to protect her, in the hearts of young children, there must be a feeling of being abandoned.
3. The next scene is even better. After returning home, take a shower with petals and put on beautiful clothes. The old woman said that this was all stitched by her mother herself. It can be seen that her mother misses Yinniang, and this is also Yinniang in the movie. It looks best for a few seconds, but there is no expression on her face. In the next scene, when the camera turned around, Yinniang put on her black and autumn clothes again. This shows that she has a grudge against her parents in her heart, that is, I don't want to wear the beautiful clothes made by your own hands and take a shower with petals. You want to make up for what you owe me, but I don't accept it. I am not your daughter, I wear my black clothes, I am the assassin Nie Yinniang. At this time, Yinniang had endless grievances in her heart. She came to see her mother. If the audience could notice, she chose to sit on the very edge of the bed, far away from the table. Put your hands on your knees, lower your head, and listen to your mother with a blank face. But her body language and posture all indicate that this is the distance between her and her mother's heart, and it is also her silent protest to her mother.
4. Mother, of course, can tell at a glance. Yongmei, an actor, is really very good. Her eyes are full of drama, she is eager to talk, and she expresses the feeling that a thousand words can’t be said in her heart. The daughter talked about that paragraph, which has a lot of meaning, but one thing is that it euphemistically expresses the adults' apologies to the children. It also represents an adult world's apologies to children. And it’s particularly interesting that she didn’t say that she was apologetic to her child, but that the princess was apologetic to her. In fact, the princess’s apology to Yinniang was more important than her own. Paying more attention to the personality characteristics of loyalty, righteousness, and regularity are ingeniously echoed before and after. In this regard, Yinniang burst into tears, covering her face and crying. This scene really has everything that should be there, and all that should be explained, it's just not necessary.
5. When Tian Ji'an told Hu Ji two stories about him and Yinniang when she was a child, she said that she was like a phoenix. A metaphor described the image of Yinniang who was arrogant and arrogant, but Tian didn't describe his attitude towards Yinniang. Feelings only described Yinniang's feelings for herself, but recalled a woman who had loved herself deeply. Maybe it was relatively indifferent at all, or it was not that important at all. Instead, he said that due to political needs, he was arranged to marry. It is conceivable that he had never fought, and only Yinniang was fighting. If he was as determined as Yinniang at the beginning, their story might not be so. It was the things that he liked more, and eventually made him lose Yinniang. Yinniang sees him again, he is already a part of that intriguing adult world, everyone is separated forever.
6. Abandoned by her parents and abandoned by her lover, because of the reasons of the adult world, she suddenly became an unpopular person in the world she grew up in, and was exiled from that world. It is conceivable that the young Yinniang suffered What kind of injury. Maybe in the years that followed, she had to live with her master, but when she was in the second brush, I found that the interesting thing in the movie was that the master was always in white, and Yinniang was always black and autumn, and she was an adult in white. People are always talking about killing people with high-sounding reasons. Ask her to kill this person or that person. She has no feelings for Yinniang, or feelings very weak, just a killing machine that she cultivated. Let her kill Tian Ji'an, on the one hand, for Datang, but on the other hand, to make Yinniang more cold-blooded and listen to her own words more. A fairy aunt who came out of the dust intervened in the dust all day long. On the contrary, the Yinniang in black had the heart of Buddha. This comparison is very interesting.
7. With this kind of growth experience, Yinniang has enough reasons to resent the world, and she also has the ability to avenge the world, but she has repeatedly chosen not to kill. The reason is that this is actually a teenager, she has the kind of soft heart and kindness to the world that a teenager has. She has no concept and is not interested in who is right and who is wrong in the adult world, who is loyal, filial, and loyal. It's not that she doesn't understand, it's just that she doesn't CARE and doesn't kill Daliao, because seeing the child is still young, she can't bear to take her family happiness. Tian Ji'an was not killed because killing him might kill a lot of people. The girl felt bitter, Hu Ji complained about her, but she just said a good thing, she remembered it in her heart, and saved her life. There are so many bitter children in my heart. Give a little bit of sweetness as honey.
8. Therefore, Yinniang is a young man who has not grown up. As an assassin, the family happiness that she has never had since she was a child is her weakness. Her young heart is not so much that she can't become an assassin. She can't become a master, parents, and adults like Tian Ji'an, and give herself a country, a country, justice and other propositions, just for this proposition to kill people. It’s good for Hsu Qi. She showed this juvenile look on her face. Don’t think it’s just blank expressions. Everyone has a long expression in their hearts when they reach a certain age. On the face.
9. I've seen a film review "Boy·Post-80s·Hou Xiaoxian's Mermaid Line", specifically talking about the children in this movie. It’s very well written, and I agree with it, and I just take a few sentences as a supplement. "The voice-over said that she was discovered by the children-how is it possible? She is like a big black bird, she can sneak into the government at any time, bypass the guards, and hide. Body shape...unless, she saw the child sculpting jade, she couldn't help but come out and say hello: Hi, hello. The result scared the children."
10. This young adult-like Nie Yinniang and This adult world is out of place. She is a heterogeneous element in this adult world. She was once at the mercy of adults, but she was born with a good understanding and was not brainwashed in the end, just like I like a sentence in "Miyamoto Musashi", the heart of the child, the hole If the gods. The final decision with the master was to completely leave this smoky, tangled, and messy adult world and return to his own nature. Watching her turn around and leave, thinking that this is what makes the girl shine.
11. The mirror-grinding boy she met is also another true boy who has entered this world indiscriminately. Although he has no martial arts, but the road is uneven, he rushed out to rescue a stranger in a hurry, how kind in his heart, he is not afraid of power. A netizen replied to me: The Magic Mirror Boy just came out to save people. I thought that a master was just what kind of way the series went. When Nie Yinniang took the initiative to control the enemy, I realized that it was his martial arts not good at my own level. Can save people without hesitation, this can be regarded as a hero. ...Yes, that is, this kind of young-hearted talent will do stupid things that don't know martial arts and go out to save people. So he and Yinniang are of the same kind.
12. Regarding Nie Yinniang's final choice to grind the mirror, I suggest not to understand it by the standards of secular women in our society today. Her master is a Taoist aunt, it is impossible to teach her to find a good husband as a long-term meal ticket, it is impossible to tell her that women are too strong than men love the set, nor will she teach her that she is too strong to find an ordinary man to marry him. set. She has not received such an education. For Nie Yinniang, we actually have to understand it outside the box of our modern society.
13. What I said above is not brain replenishment, it's all in the play. In fact, Director Hou has talked about it, and there are many more, which are not drawn out one by one, so as not to disturb everyone's interest. This is what I call it fast. If you don't look carefully, if you don't think about it, one look and one expression will pass. Think carefully, too much fun.
14. Finally, I said a digression about irrelevant characters. I didn’t say too much last time. It’s the sound effects of this movie, which is really amazing. I remember the first time I watched it, the leaves slammed. I get excited. Maybe many people have not paid attention to it. When the wind blows, the sound made by willow trees is different from the sound made by poplar trees. Poplar trees are very noisy and willow trees are very gentle. It doesn't matter whether I am a literary youth or not, it is simply because I love life and nature. In our daily life, the eyes can choose what to look at, the mouth can choose what to taste, and the nose can at least choose to avoid certain smells. Only the ears have no choice. The sound is covered. The most beautiful sounds are often covered by bad noises. In order to cover it again, the choice we made was to bring headphones to play music. This movie, for me, is really washing my ears, a kind of audiovisual enjoyment. It removes layer by layer the voices that cover it, and returns my childhood voice to me. Even the most tense plot is expressed by drums. The drums are also very good. They are integrated with the sound of the environment. They set off the plot without destroying the environment. This movie really makes me feel aural. Being opened is an audiovisual enjoyment.
The above is the second brush, and I have the right to communicate.
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