The year before last year in Cannes because of a job, I took the opportunity to take the manufacturer's license to line up twice for the "Father Like a Son" team. They were all stopped outside the cinema at the last moment. Later, I saw it after a year, and got up for a drink in the middle of the night. Pot of sake. This year, I heard that the Cannes competition film "Diary of the Sea Street" was on the list, and I made up my mind to rush forward. After the premiere of the movie, the audience stood up and applauded three times. It was Hirokazu Ke and the four oxygen beauties. The protagonist stood up and bowed in thanks. It’s Hirokazu Ee’s film that doesn’t really need much to look forward to. It’s always the start of the story from the eight o’clock file social news. He speaks softly about household chores, "days pass by, and life continues day by day", but that’s it. Two hours later, at the end of the movie, I always hope to make the audience feel sad: "Life is really not easy, but you have to live it well" or "Life has to go on well, but it's really not easy." ". In this "Diary of the Sea Street", because of the sweetness of the "girl theme", this sadness has the unreal beauty of "cherry blossoms withering". "Diary of the Sea Street" is adapted from the best-selling manga of the same name created by Yoshida Akiu. Yoshida Akiu and Yoshie Hirokazu jointly completed the script adaptation of the film. The beginning of the story is still very bloody. The three sisters Xing, Kanao, and Chika, who lived in Kamakura, suddenly learned that their father, who had been missing for 15 years, had died in Yamagata Prefecture. At the funeral, the three sisters met the half-sister "Ling" who had never known her before, and decided to abandon her suspicion and take Ling back to Kamakura to live together. In the following time, the cherry blossoms in Binhai Road bloomed and thanked, the plums in the yard were green and yellow, relatives, neighbors and lovers came and left. Only the four sisters were living together in an unexpected return, leaving the girls behind. The best time of the times. As far as I am concerned, in addition to the peaceful but firm Three Views, what I like the most about Hirokazu Ke is that he weaves the coincidences of the play as meticulous and natural as the dog's blood of life, and all the stalks are hidden when they are buried without traces, and they are exposed. Be generous and calm at the time. For example, because of my elder sister Xing’s tenacity and kindness, I have overlooked that she is at least nominally as a destroyer of the family as her father. Fortunately, she has always comforted Xiao Sister Ling’s "no one is wrong". Perhaps she has relieved and comforted herself from the heart. reason. What's interesting is that following the sentence "No one is wrong", accompanied by the appearance of the obstinate mother, Rei, or the warm memories in it, the father who has not appeared in the movie gradually washes away from the image of abandoning his wife and child. Let people come to the conclusion: life is really not a black and white thing that is easy to judge. There are so many stories. It all depends on the skill and rhythm of the narrator. For example, the anaphora before and after the details is ordinary, it is neat, if it is ruined, it is deliberate, and it is invisible if it is done lightly. Can’t say how finished "Haijie Diary" is Beautiful, but many details have Japanese craftsman's care. Year after year, Hirokazu Edema used plum wine as a node, and the difference in the taste of plum wine also seemed to reflect the personality of the sisters of the family. The details other than the lines are also very particular. The biological mother of the three sisters came to visit, and did not hold down the anger at the non-born daughter at the moment. The next day, the four sisters apologized to make up for the gifts they forgot the day before, only Ling's packaging Unlike others, it was obviously re-bought. Having played with family themes for so long, it is Hirokazu Kee who can always find some details as an introductory token. In the cafeteria where the sisters often go, she discovered that the seasonal fresh fish toast that her father used to make for herself during her lifetime was the original craftsmanship of the uncle in the cafeteria. The mother who doesn’t like to cook only teaches the elder sister a good seafood curry rice. The third sister Qianjia is more familiar with the fish steak paella made by her grandmother, and the second sister Kanao’s favorite is the gift from the grandmother of the seafood restaurant.的定食. These plots seem to be unrelated everywhere in the film. Food is the strongest physical memory, but it reflects the childhood of the four sisters. Which elder is the closest companion. Seeing this, thinking about cooking as an adult, my friends often ridicule: you have to grab a handful of green peppers for what you are cooking, green peppers for shredded pork, green peppers for eggs, and green peppers for fried greens. Parents’ eating habits turned out to be the emotional connection we have embedded in our taste buds in addition to our blood. Compared with "Father Like Son" discussing class differences and blood relationship in the drop-off story, "Haijie Diary" does appear beautiful and cowardly in content and form, and it does disappoint the audience who expects his sense of power, but The comic-style aesthetic style may have indicated that the director does not intend to have a deeper discussion of social life this time: Kamakura's "Diary of the Sea Street", whether it is a single train passing through the city center or the cherry blossom avenue that meets the sea at a turn, Both can be used directly as urban promotional films, not to mention that these beautiful sceneries are accompanied by four girls in kimono playing with fireworks and wearing black silk on the beach. The girly feeling is originally the most beautiful thing in the world. After several family ethics films came down, "Haijie Diary" was probably more like a reconciliation and loosening for Kee Hiro and himself. Life probably always has to go through "Life is beautiful, life is not beautiful, life is still It’s beautiful.” Three stages, the sentiment of each stage depends on wisdom and enlightenment. In "Diary of the Sea Street", the director arranged for the two dead characters to survive the cherry blossom season. All the unevenness, unwillingness, and inability were put down after experiencing the beauty of the cherry blossoms. As the conclusion, Yu and Ke said twice. The line of: If you have the ability to feel good when you say goodbye to this world,
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