There are too many similar movies. The "Mad Woman Running Out of the Attic" is continuously demonized in the movie, from the Hitchcock series to the fatal temptation, instinct and so on. The film, without exception, framed women in a place with a purely masculine narcissism, and caused women to bear the original sin for their so-called "castration trauma". Coupled with Hollywood's usual circular narrative methods, women will inevitably be there. The first place of deception, where the towering beacon (a phallic symbol) was punished, and the execution of the patriarchal society. The women outside the screen tragically identify with the women on the screen and lose the basic ability to judge. The sins committed by the women in the film will definitely receive corresponding retribution, and the side of women who were hindered by men retreats to the corner of the background and is not made public. And this horrible hysterical witch was made by a man alone. What an irony! This extremely vicious representation of female images, withdrawing from the thin "stared" role of women's human nature, will only make the meaning of the film thinner. If you read Freud's "text-based" interpretation Just for suspense gimmicks, and "convict" women, how superficial, how superficial misuse Freud!
Therefore, the ending of the film is extremely weak, so weak that it turns the ingenious suspense element in front of itself into the so-called heroism complex above inferiority complex. In the final analysis, there are only four words left in the film, "Beware of women!" Behind the scenes is still "professional" making horrible predictions for the audience, be careful of women! And I just want to say "woman, be careful!"
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