Change yourself if you can't change the world

Larue 2022-02-19 08:02:46

Katherine Heigl's acting is not bad, Patrick Wilson's acting is even better. The reason I say this is that safflower still needs green leaves. Patrick played a cowardly husband walking on thin ice very exaggeratedly, but very vividly. Katherine used grace to make a wife who hates iron but not steel, and has a strong desire for control, behaved very enthusiastically (I don't think it is to the point of fullness).

I think the plot is very good, what's the cliché? At least I didn't report the expectation to open the movie to pass the time at the beginning, but after watching it, I didn't think I was wasting time. If Patrick hadn't murdered his wife, it would be pretty good that the show could be a sequel depicting Patrick's physical and spiritual struggles. There is also a hooligan who is at large. If his head is clear, he knows that he shouldn't kill his wife. Otherwise, with his psychological quality and IQ, how can he deal with the gangster? The plot of this movie is very compact, and the actors perform the inner drama of the characters very well. When I was watching this movie, I noticed a few scenes where the hero and heroine were alone, and their expressions looked good. For example, in the bathroom, Patrick asked about Katherine's childhood. I was paying attention to the changes in Patrick's expression and the changes in Patrick's expression when he noticed that there was a knife on the bedside.

If you occasionally observe the expressions of people around you, you will see a lot of rich content that you saw in the movie. O(∩_∩)O haha~ Drama comes from life.

Someone is inexplicably black, and the actor is a Sagittarius. Is there any detail in the show that the heroine is a Virgo? Did I miss it?

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Extended Reading

Home Sweet Hell quotes

  • Mona Champagne: [to Don] "Now grab a shovel! We need to fertilize the garden with your hooker. Who wasn't pregnant by the way!"

  • Don Champagne: So, what do we do first?

    Dusty: Ugh.

    Don Champagne: Oh, God! She's alive! No! No! No! Why isn't she dead?

    Mona Champagne: Oh, boy! Heh, heh, heh.

    Don Champagne: What do we do?

    Mona Champagne: Oh, maybe we should just let her go!

    Don Champagne: Really?

    Mona Champagne: No. No. Get a hammer.

    Don Champagne: What? A hammer?

    Mona Champagne: Yeah. Get a hammer so we can hit her in the head!

    Don Champagne: No! No! Why aren't you dead?