Not a sweet home in hell

Kattie 2022-02-19 08:02:46

I was very happy when I saw the trailer at Hulu, because this kind of black comedy that stepped on steel wire has always been my favorite, and the few that I saw before (including Reynolds’ Voices) were all weird and cute, so He doesn't know much about the script or behind the scenes, but he has a good impression of Home Sweet Hell.

Facts have proved that not going to the cinema to see it is a crooked show-Danny Collins is not without reason that no matter how hard advertising there are, there are so many theaters showing.


If you just use it, Hegel still has a weird sense of cuteness. The character setting that must be achieved in any goal of the tortoise hair also really makes some of the details of the movie shine-such as the strict requirements for when to "grow intimacy". And the conversation in French at the table is really exciting.

However, the casting of such a glorious role is really not a success. The first to bear the brunt is that Hegel's slightly sturdy figure is inconsistent with the character's quizzical point that her husband is "swollen". It is not difficult to imagine a woman who has such high demands on her husband and who has repeatedly emphasized that "being better than others on the outside" in her conversation with her daughter. Hegel’s acting skills are aside, except that the double chin that appears from time to time in movies and posters is really difficult to win, not to mention that there is a hot Dusty that contrasts her with her not bloated, but loose-lined body. shape.

At the same time, the character's setting is a bit vague. The director and screenwriter through the hostess’s crying and losing her voice to a certain extent hinted that her abnormality originated from some kind of mental abuse that her parents continued to this day, so her pathological personality looks like Bipolar according to the plot (bipolar?) And antisocial personality. But here comes the problem: Bipolar is treatable, while antisocial personality is completely incurable. The former still has social emotional needs, while the latter has no normal emotional composition. So which one is Mona? If she is Bipolar (that is, we assume that she does love her husband and children), it can be recovered through treatment-then her husband’s final behavior cannot be rationalized at all; if she is an antisocial personality (also That is to say, it can be proved that she can face others without changing her face. It is impossible to receive and release emotions normally. Then why she married a used car salesperson, and the several emotional out-of-control performances in the film cannot be explained. After watching the movie, I personally think that her symptoms are very unreasonable.

One sentence conclusion: the
trailer is more exciting than the feature film-the feature film is a large platter made up of a lot of logic and a few welfare shots. If you have time and are boring, you might as well watch it when you clean up the room. one look.

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Extended Reading

Home Sweet Hell quotes

  • Mona Champagne: [to Don] "Now grab a shovel! We need to fertilize the garden with your hooker. Who wasn't pregnant by the way!"

  • Don Champagne: So, what do we do first?

    Dusty: Ugh.

    Don Champagne: Oh, God! She's alive! No! No! No! Why isn't she dead?

    Mona Champagne: Oh, boy! Heh, heh, heh.

    Don Champagne: What do we do?

    Mona Champagne: Oh, maybe we should just let her go!

    Don Champagne: Really?

    Mona Champagne: No. No. Get a hammer.

    Don Champagne: What? A hammer?

    Mona Champagne: Yeah. Get a hammer so we can hit her in the head!

    Don Champagne: No! No! Why aren't you dead?