Incomplete harmony and twelve equal temperament & death and riots

Eloy 2022-01-17 08:02:33

There are some movies that will move us or laugh, and some movies will make you stand in awe of the art of cinema. "Whale Circus" undoubtedly belongs to the latter.
Since the birth of film in 1895, the seventh art of film, which includes six art forms of "music, painting, sculpture, architecture, poetry, and dance", has moved us for 119 years. 2015 marks the 120th anniversary of the birth of film, a mere hundred years, but the development of film is rapid.
When the first film in film history "Train Into the Station" was screened, who could have predicted that the film would become popular in almost every corner of the world more than a hundred years from now? From single lens to multiple lens, from silent film to sound film, from black and white film to color film, from western film to feature film, from Dadaism to New Wave, the art of film is growing a little bit, and its meaning is gradually broadening. change. We can no longer accurately define the film, just as the appearance of the film makes us no longer able to distinguish between "imaginary reality" and "real imagination".
Movies change not only our lives, but also our civilization.
Speaking of "Whale Circus" director Bella Tal, perhaps he is well-known because of the 450-minute film "Satan Tango". Some film critics once commented that his film is "seven hours long but every minute is thunderous and fascinating. I hope I will watch it again every year during my lifetime."
Compared with this movie, "Whale Circus" is undoubtedly concise and concise. Especially the ingenious scene scheduling and light and shadow editing of this film is simply the perfect interpretation of film art. The main plot of the movie is actually not complicated. A small town that was originally peaceful and peaceful is out of balance due to the visit of the circus one day. The huge dead whale owned by the circus and the "prince" who claimed to have three eyes, a mouthful of apocalyptic speech and blasphemous behavior seemed to be a curse, completely disrupting the original order of the town; and finally; An unprecedented riot broke out in the town, a conflict between "violence" and "kindness". Finally? It seems that the "goodness" won, but the kindness who won the victory hunted down and killed the former "rioters", which naturally also affected some innocent civilians...
The irony is that such a movie with awe-inspiring respect for film art has a "Hollywood" translation called "Whale Circus" (like "Now You See Me" or "Pirates of the Caribbean"). Perhaps it was a failure in the promotion of the film. Compared with this title, the author undoubtedly prefers its literal translation title "Missed Harmony" (just like "Angel Loves Beauty" to its literal name "Emily Bran with a Wonderful Destiny").
But in fact, the title "Missed Harmony" is not a complete literal translation. The Werckmeister in the original title "Werckmeister harmóniák" is actually the name of a German musician in the history of music. He strongly advocated it at the end of the 17th century. The twelve equal temperament (the universal temperament that divides a group of notes (octave) into twelve semitone intervals, and the ratio of the vibration numbers between each adjacent temperament is exactly the same) is remembered by people.
Speaking of the twelve equal temperament, it is really a great temperament system. Since then, the moving melody can be passed on to future generations through it; the 88 black and white keys on the piano keyboard are made according to the principle of the twelve equal temperament . The reason why I have to worry about the title of this film is that this film is full of many metaphors. The complete and accurate halving advocated by the twelve equal law seems to make each melody lose its unique nature, but in reality Above, we should pay more attention to the seven tones in the scale, not to regard them as an octave, but seven tones with unique and independent characteristics. Extending this rule to the movie, you will actually find the metaphor exposed by the group riot in the movie that is subject to the "prince" bewitching: once the precise twelve equal temperament is incomplete, the elegant tone will change. It is harsh; in the same way, a social state in which there is only group consciousness and no individual emotions will no longer be orderly. The so-called "prince" instigation in the circus is actually just a cover. The real evil thoughts, this kind of evil thoughts caused by the complete collective consciousness, have already existed in the hearts of the residents of the small town. What they are waiting for is a reasonable release of the evil thoughts. The interface, whether it is a "prince" or a dead "whale", is just a tool in their eyes.
When it comes to metaphors, in addition to the plot metaphors that run through the opening and ending of the film, what I admire most is the monologue interpretation of Varushka at the beginning of the film. Under the dim light of the bar, Varushka chose three drunken people as the sun/moon and the earth, and he himself, like the creator of the world, directs the three people to follow the orbits of the sun/moon and the earth. Spin. Then, turning around, when the person representing the moon blocked the person representing the earth from looking up at the sun, the most magnificent natural landscape on the earth-the solar eclipse-just came. "When the moon obscures the sun's rays, everything is quiet," Varushka said. Immediately afterwards, the originally quiet shot ushered in a soothing and slightly apocalyptic piano sound (this may be the perfect combination of movie shots and music I have ever seen, and when the music sounds, you will even sincerely sigh The irreplaceable importance of music to movies).
For the metaphor contained in the monologue deduction in the opening film, I think it should be director Bella Tal's personal value judgment on good and evil. For the director, or for the film, the temporary evil is just like the earth temporarily losing its light because it is blocked by the moon, but when it loses its light, what should we do? Fear or cringe? Or is it to help the gang to be abused? No, all of these are not. When darkness comes, we have to look forward to it, believing that "this is not the end", so because of this belief, when the moon once again leaves its specific position between the sun and the earth, The light will once again illuminate the earth, and the kindness will finally use the warmth it represents to melt away those indifferent hearts that have been frozen because of the darkness.
In short, "Whale Circus" is a movie with too many movie elements. What is the real symbolic meaning of that giant dead whale? After the riots were calmed down, was the whale that was abandoned in the square a representative of evil thoughts or a lingering life of kindness? These questions are waiting for you to perceive and understand through watching the movie. Because, even if the author uses more words to describe it, when the pianist and the dead whale look at each other in the movie, the long-lost sense of peace and helplessness is precisely what any language cannot express.

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Extended Reading

Werckmeister Harmonies quotes

  • János Valuska: You are the sun. The sun doesn't move, this is what it does. You are the Earth. The Earth is here for a start, and then the Earth moves around the sun. And now, we'll have an explanation that simple folks like us can also understand, about immortality. All I ask is that you step with me into the boundlessness, where constancy, quietude and peace, infinite emptiness reign. And just imagine, in this infinite sonorous silence, everywhere is an impenetrable darkness. Here, we only experience general motion, and at first, we don't notice the events that we are witnessing. The brilliant light of the sun always sheds its heat and light on that side of the Earth which is just then turned towards it. And we stand here in it's brilliance. This is the moon. The moon revolves around the Earth. What is happening? We suddenly see that the disc of the moon, the disc of the moon, on the Sun's flaming sphere, makes an indentation, and this indentation, the dark shadow, grows bigger... and bigger. And as it covers more and more, slowly only a narrow crescent of the sun remains, a dazzling crescent. And at the next moment, the next moment - say that it's around one in the afternoon - a most dramatic turn of event occurs. At that moment the air suddenly turns cold. Can you feel it? The sky darkens, then goes all dark. The dogs howl, rabbits hunch down, the deer run in panic, run, stampede in fright. And in this awful, incomprehensible dusk, even the birds... the birds too are confused and go to roost. And then... Complete Silence. Everything that lives is still. Are the hills going to march off? Will heaven fall upon us? Will the Earth open under us? We don't know. We don't know, for a total eclipse has come upon us... But... but no need to fear. It's not over. For across the sun's glowing sphere, slowly, the Moon swims away. And the sun once again bursts forth, and to the Earth slowly there comes again light, and warmth again floods the Earth. Deep emotion pierces everyone. They have escaped the weight of darkness

    Mr. Hagelmayer: That's enough! Out of here, you tubs of beer!

    János Valuska: But Mr. Hagelmayer. It's still not over.

  • György Eszter: I have to make it clear that not even for a moment is there doubt that it is not a technical but a philosophical question. So that the tonal system in question, through researches, has led us inevitably to a test of faith, in which we ask: on what do we base our belief that this harmony, the core of every masterpiece, referring to its own irrevocability, actually exists or not. From this it follows that we should speak of, not research into music, but a unique realization of non-music which for centuries has been covered up and a dreadful scandal which we should disclose. Hence the shameful situation that all the intervals in the masterpieces of many centuries are false. Which means that music and its harmony and echo, its unsurpassable enchantment is entirely based on a false foundation. Yes, we have to speak of an indisputable deception, even if those who are less sure, a little moderate, babble on about compromise. But what kind of compromise, when for the majority pure musical tonality is simply illusion, and truly pure musical intervals do not exist? Here we have to acknowledge the fact that there were ages more fortunate than ours, those of Pythagoras and Aristoxenes, when our forefathers were satisfied with the fact that their purely tuned instruments were played only in some tones, because they were not troubled by doubts, for they knew that heavenly harmonies were the province of the gods. Later, all this was not enough, unhinged arrogance wished to take possession of all the harmonies of the gods. And it was done in its own way, technicians were charged with the solution, a Praetorius, a Salinas, and finally an Andreas Werckmeister, who resolved the difficulty by dividing the octave of the harmony of the gods, the twelve half-tones, into twelve equal parts. Of two semi-tones he falsified one, instead of ten black keys, five were used and that sealed the position. We have to turn our backs on this development of tuning instruments, the so-called constant-tempered, and its sad history and bring back the naturally tuned instrument. Carefully, we have to correct Werckmeister's mistakes. We have to concern ourselves with these seven notes of the scale, but not as of the octave, but seven distinct and independent qualities like seven fraternal stars in the heavens. What we have to do then, if we are aware, is that this natural tuning has its limits and it is a somewhat worrisome limit that definitely excludes the use of certain higher signatures.