Violent set up stage, literary and artistic singing

Jason 2022-04-22 07:01:48

Literary adaptation. The music is rich in Middle Eastern characteristics, using the music of the Western world as a conflict. Inserting that event in reverse order in a limited space is like a recollection of Voldemort's return, the natural contradiction between that world and life here. Elitism cannot resist the torrent of history. Everyone has a New York dream, a Tokyo dream, a Beijing dream, but the local accent, religious beliefs and the inheritance of father and mother are the original sins that can only be cleaned up by talent and hard work.

Cheyenne 2022-04-21 09:03:07

Rather than pick a side, pick a shield—or make a shield, but—why pick? It's as if you know what this work wants to convey, but it will be very angry or helpless. The male protagonist of the story can't even hold the so-called fundamental that he remembers. The choice of private conscience is embarrassing, and in the end, it is better The audience's emotions are vented on the Americans, which is really stealing the show. The most paradoxical thing is, since he is a smart and kind person, is it so easy to be blind when he is angry? The middle and back sections are a little weak, and the editing and rhythm are not stable, but they are all within the acceptable range. At the same time, there are many golden sentences in the adaptation, which are also memorable. If the stance is not the American dream or the Pakistani dream, but one's own dream, and the rest is left to the Tao Te Ching, wouldn't there be so many things? (Indian director, British actor, American producer