Sieg’s mother was killed in a motorcycle accident. There were three bachelors in the family. His father was tired of life and discipline, and his brother was almost a top-notch gangster. And Mark's family is complete and happy, his parents are alive, and his sister is lively and lovely. This seems to tell us that in the process of youth and growth, we have to face a reality. In a healthy or unsound family, we will all have feelings and ignorance, but will the object be a man or a woman?
Sig can be said to have almost taken on all the content the director wants to talk about. The three bachelors ate breakfast in the morning. Sieg only paid attention to the man in the ad in the magazine, and then quickly turned the page over, looking guiltily at whether his father and brother had noticed their "weird" behavior; two The girl and her friend invited to play in the amusement park in the evening, and they ran into Mark in front of the game machine that grabbed the toy. He was in a daze and seemed to open his mouth to explain why he was with the girl next to him, but he couldn't find a foothold why he wanted to explain. Yes, brothers and friends all naturally admire girls, and then go out to play naturally, kiss, what's the explanation for this? Later, he took the initiative to meet Mark again to go swimming, and then his plan changed temporarily. Mark blocked in front of his brother's car. He hesitated long enough before plucking up the courage to get out of the car. He just answered Mark "The plan has changed" and swept the car just now. With the ease of laughing and laughing with music, standing in front of all his friends and brothers, he dared to explain, why did he explain, what to explain, etc. Under pressure and conflicts, he rushed forward and pushed Mark, as if he was Tell me, what do you want me to do? Do you know how stressed I am? Although I don't know much about movies, I basically know that movies speak by the scenes presented under each lens. The director tried to present a natural scene, clean and concise. No matter how many times Sig's face is capitalized, swimming in the water, or training to the final relay, there is enough space and time to relax the complex thoughts, as if I have recalled all kinds of my own past, and there are similar shadows. At the end of the movie, Dad asked Sig, "Are you okay?" Sig looked at his dad intently and said, "Not good." Then he walked straight to the garage and got on the motorcycle. Then there was the highway that continued to stretch with the motorcycle. Behind the car was Mark holding Sig. Under the calm night, a little bit of starlight. The fact that Sig didn't tell his father and brother his inner thoughts in the end was the director's style. Instead of choosing contradictory points, they are just calmly narrating the possible actions of a teenager in the process of growing up, as well as the various surrounding factors that have brought him. I personally like this style very much. Regardless of whether it is the director deliberately leaving blanks, this approach at least gives viewers one more explanation, one more answer, and one more existence.
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