The screenwriter said that all film schools teach you how to write dialogues, he just wants to try, what will happen if there are not many lines.
The composer of this movie put a lot of effort into it.
In the end, the clip of the car accident + concert + train and the music was praised.
That vague ending, including the screenwriter’s life is gray, I really like this idea and expression.
I appreciate all of these.
BUT.
I don't like this film.
The introduction of the film is very simple, that is, the arrival of a British exchange student completely changed the life of the host family.
If you didn't watch the spoilers, then probably everyone was exploring what they were going to talk about in the first half an hour. A girl here said that I thought I was going to talk about immigration. Or whether the new girl will have sex with the girl's boyfriend in this family.
But this girl got involved with the host of this house.
Teacher-student love + love between young and old (girls are the same age as men and daughters) + extramarital love.
The screenwriter is really DID A GREAT JOB. The elements that challenge the Three Views are all gathered in a relationship.
I never counted on this convincing, and then I looked at it with a calm mind. As a result, no matter how beautiful the composition was, I couldn't get through the hurdle of three views.
The film was very lively. At the end of the forum, there was only one question asking why this subject was written. The screenwriter said: "Who can't cheat on forty men?"
good. But if you use literature and art to package the derailment and rationalize the derailment, this is the question of the three views.
I saw a man who was almost abandoning his wife and daughter, and he came out to talk to the girls about their "sudden feelings" when they were teaching students.
That's irresponsible, man.
Don't mention soulmate to me . The word soulmate is often used as an excuse for cheating.
So when I saw my daughter at home knew the truth, and entered the room late at night to pull the girl up from the bed, I really wanted to say, slap that bitch.
By the way, I don’t know if it’s for the effect or what to do. In many cases, the music is very loud to cover up the voice, and the speech is fast and vague. Also, I think there is too much music, even if it is the theme, I am a little annoyed. But the car accident was a good one, and there is also an ending scene.
Then the problem with shakey, the director said it was because of the handheld camera, he said he likes it, well, actually I don't like it very much.
The rhythm is indeed a bit slow, but it is indeed the rhythm of real life, but I don't think drama, because life itself is very drama.
The conclusion is that literary men are really scary. You talk with him about income, he talks with you about dreams; you talk with him about family, he talks with you about pursuit; you talk with him about responsibilities, and he talks with you about freedom.
In fact, it was only self-confidence and tired of family life. The mental age was not mature yet, and then I met a beautiful young girl who "knows him".
However, although this film deliberately creates a life-like impression (it can also be said to be a success), the funny thing is that the male protagonist grabs the girl's hand in the piano play, the director said, is actually grabbing the hand of the substitute.
See, life can also be ridiculous.
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