An infidelity story was photographed so beautifully.
17 years of marriage, beautiful daughter, a family portrait in the garden every year, this is the ordinary life of middle school music teacher Keith. Everything was broken by an exchange student from England. Do you believe in love at first sight? It seemed more like a chemical reaction. The first time Sophie was brought home, Keith, who was the landlord, teacher, and father, would secretly look at the girl’s suitcase, and found the most important thing between them. Catalyst-piano score.
The director himself divides the 98-minute movie into three parts: 70% of the time is spent showing the careful contact between year-end lovers, struggling between moral self-discipline and a strong love magnetic field; 20% of the space allows love to be released from each other Dependent eyes and restrained physical contact rekindle the passion of life; and the last 10%, everything came to an abrupt end in the climax, the elopement plan was destroyed by the daughter’s self-harm, just like most stories of attempted derailment, as if Nothing happened, and life returned to its original track. Mi disappeared, and the annual family portrait continued. The only thing left was the hopeless corners of Keith's smile after the stalemate.
The sad beauty of the whole film "Into the Heart" is entirely attributed to the music theme throughout. The heroes and heroines have classical music backgrounds. The two performances one after the other almost speak for all the stories: played by Sophie Chopin's "The Second Ballad" is dedicated to the German composer Schumann. The unusually strong conflict between the two themes is generally considered to describe the confrontation and struggle between a pair of lovers; and Keith as the cellist The repertoire of is actually Schumann’s Cello Concerto in A Minor-a message from the air. Once the internal connection between the two classical works is understood, the audience will understand the painstaking efforts of the composer O’Haroland, which is the culmination of the whole film. The Cello Concerto shows Schumann and his wife Clara's longing for life after they moved to a new city in 1850. Today, after completing a dreamlike performance under the influence of love, Keith is planning to elope with Sophie.
Once the "music code" is unlocked, it is naturally quite fun, but even if you don't know the mystery, it doesn't prevent you from being bewitched by the director's "small and fresh" shooting techniques from beginning to end. In Hollywood, this kind of trickle-style independent film is destined to show its glory only in protected areas like the Sundance Film Festival. Drake Domurez is a frequent visitor and winning general of Sundance, born in the 1980s. He has a bright future. He is only waiting for a chance to enter a commercial film, so he is optimistic about him.
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