Yixiu opened their eyes. The world was blue. She opened the car door and walked into the blue world. Her father strangled her neck from behind. When he buried his daughter later, he put on her a headset that called her to wake up in the morning every day, but she would never wake up again.
Having watched the murderous family relationship in "Mobius", I was not surprised when I saw this section. This also confirms why the father told Yixiu the story of Mother Teresa the night before, and Yixiu was crying outside. She knew she had done something wrong. She thought of the bloody scenes she saw in the park toilet that day. She threw the diary like crime and punishment. Before that, she didn’t feel sorry for her actions. Knowing the huge pain that her father had suffered and the subsequent prison disaster, she was puzzled. She hopes to be redeemed like Jie Rong. After waking up from the dream, his father let Yixiu learn to drive by himself, while he himself was taken away by the police. Yixiu tried to drive after him, and finally fell into a quagmire. Yixiu walked out of the car.
One question is, has Yixiu been redeemed? The answer is yes. Her salvation is not to prove purity by death but to prove purity by washing the filth. It was only when she saw the last person on the list fell in a pool of blood that she understood that life was never one-way.
On his father's side, he had already known about Yixiu's behavior, but he would rather let himself be injured than talk about it. This is in line with the temperament of the typical male image in Kim Kidd's movies, that is, weakness. Whether it is a client, a father, a passerby or a friend, as long as it is a male character that appears in the camera, it is more or less imperative. In such a scene, the father broke into a house, and they were eating happily, while the male host had just ended his relationship with Yixiu, and he returned home to eat with his relatives. The father slapped his face one by one. When hitting the middle-aged man in the face, he did not resist at all. He dared not look up. Instead, his wife, mother and daughter shouted at Yixiu's father to stop. Finally, after watching Yixiu's father leave, the middle-aged man chose to jump off the building to end his life. Death came very simply. As a criminal policeman, my father knew the consequences of murder, but he didn’t know what else to do. He was never a strong father. He could only vent his anger on these men, and he worked hard to bear his guilt. Let the daughter see the miracle of being born again.
If the father rushed to the room on the opposite side of the building and grabbed his daughter and yelled at him, the only gain would be another death. In this way, all the weakness in Kim Kidd's movies all have the meaning of love, because he is too afraid of losing, even if he is punished the most.
A man and a woman,
Bashmita, is a prostitute in India. Everyone who has sex with her will become a devout Buddhist, because while she brings them the intoxicating sex, it triggers their inner heart. Love, thus saving their dirty and greedy souls.
Jierong said to Yixiu that from today onwards you can call me poshmidu, and she smiled so brilliantly until she died. Yixiu has always blamed Jie Rong for the life of these "beasts", and Jie Rong said that if she only focused on sex, it would be too boring. She wants to understand each other’s life. She thinks that every client has something to do, and she wants to find a gap to vent. So she walked into them and asked them to strip off their social identities and then their physical desires, leaving only their true self. , Is no longer a moral hell, but a paradise of salvation. As for why the person Jie Rong wanted to meet the most before he died was a musician, it was because Yixiu's words made him feel dirty again, and Jie Rong didn't want that.
After that, Yixiu decided to return all the money Jierong earned from her body to prove Jierong’s innocence, just as Yixiu cleans Jierong over and over again after having sex with a man. She is not as tall as Jierong. However, she has also become a character like Samaria, not to save someone, but to save herself and find the shadow of Jie Rong. She felt that men were filthy things from beginning to end. As for the prostitutes and Yixiu, they showed good sexuality, which made people feel more disgusting and contrived.
In Kim Kidd's movies, there are always women with strong personality, such as Jierong and Yixiu, the girl in "Bow", and the mother in "Unknown Recipient". They hate men but cannot do without them. This is their true tragedy of fate.
Jie Rong finally left with a smile, which once again proved that only the detachment of the self in the duny world is the real detachment.
Desire and desire
When I first read Wang Xiaobo's essays and novels, I felt very courageous to write sex so casually. Recently, I occasionally read an article by the pornographic columnist Liu Yuan. It seems that if there is no organ in a clause, I will feel panicked. Food sex is also good. Talking about sex is understandable, but just like respecting same-sex rights, all topics of sex should not be recounted in a mocking tone. Kim Kidd is different. His movies always involve some sensitive topics of human nature, but after watching his movies, you will never just smile, or stay in a large-scale scene, you will fall into a state of empty space for a long time. In the movie, you will ask yourself all kinds of questions, because everything you see is so incredible in reality, but it becomes so natural under his lens.
From the beginning of "Samaria", Yixiu and Jie Rong conducted sex transactions with strange men on the Internet. The first two chapters of the movie basically focused on sex transactions. It’s worth noting that the opening of the movie leaned on one side to chat with men, while Jie Rong was on the other side to browse pictures of European castles. Jie Rong’s starting point was to come and travel to Europe as well. She referred to herself as Po Xumi Many put the blame on Yixiu, so even if he was dedicated, he was pure. Yixiu and Jierong made mutual sacrifices precisely because of this wish. So why is Europe? In fact, it’s difficult to get an exact answer from the film. There are only small details such as Yixiu’s father always telling her Western stories, but it should be seen that Kim Ki-duk is used to putting Eastern and Western civilizations in the same language. This arrangement is not surprising.
Yixiu and Jie Rong were motivated by desires, while the clients motivated by simple sexual desires. These are actually two concrete manifestations of the same concept, and there is no substantial difference. In response to Freud's sentence: All sins are caused by sex. I want to come to someone who has too many desires in this life, and every second will be forever.
Love?
In fact, "Samaria" does not focus on exploring the spirit and the flesh. On the contrary, the theme should be the secular salvation after the religion is stripped away. However, there is no lack of renderings of love in the film. Yixiu and Jierong are intimate. The comforting kiss between them is the most beautiful picture in the film, but such love is easily overwhelmed by torrential desires. We can see how negative Kim Kidd’s treatment of love is. Yixiu begs the musician and Jie Rong for the last time. He actually asked Yixiu to have sex with Yixiu before he can see her. Human desires are naked in front of us. , As the man said, it will be painful the first time. Friendship is of course very important... He didn't say the next sentence, I think it should be that only by knowing self-love can you love others.
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