"Girl Loho" is a good movie. The beauty comes from its technique, which can be said to be self-contained, neat and coherent. Female directors love to use close-up facial expressions and emotional amplification, and Hutland is relaxed and relaxed. The girl’s panic, confusion, hesitation, and despair are fully explained on the lens, repeatedly emphasized and rendered, for a long time. Most people are moved by "Girls in Loho", first of all, it must be photography and images, which are quite attractive. There are so many close-ups and empty shots in the film, aimed at the wounds of the corpse on the way to escape, but also at the branches and fog in the forest. Sometimes bloody, sometimes beautiful, intertwined, just like a designed chemical reaction. This combination of shots and editing rhythm also slowed down the speed of the entire movie, so that some people would guess that the girl group might not reach the end. The psychology of the audience is also disturbed, and it is impossible for the subject to observe from such a close subjective perspective. Therefore, the object similar to the lens is more aimed at the audience. At this level, "Girl Loho" is another "not good-looking" movie. Sometimes, it will make people feel depressed, not too comfortable, the whole journey is slow and saw, and there will always be dangers at any time. occur. As Australia's best foreign language film for the Oscars, "The Girl in Loho" selects common reflections on World War II in recent years. To be more precise, the theme of World War II has always been popular, but it has rapidly risen since 2000, from "Eavesdropping Storm" to "The Reader". World War II emerged as the background of the times. Except for related photos, "The Girl Loho" hardly shows the scene of the war (including mentioning the deeds of Loho's father). Even if it is the identity of the suspected boy, if you can identify European and American races, you should be able to quickly discover that he and the Jews seem to be quite different in appearance. Furthermore, if such a reconciliation is really deliberately arranged, the film may cause a lot of controversy. This is why it is said that "Girl Loho" seems to have taken a different approach on the surface. In fact, the film has already avoided any risk of misunderstanding. The film begins with the collapse of Loho's family. After the destruction of the empire, parents have no time to tell them whereabouts, and then disappear. Sudden disappearance is also a metaphor of the times. For the followers of the Nazis, after the fall of the empire, they cannot be truly liberated. In short, their way of thinking and behavior has actually been influenced and assimilated by the Nazis. As far as the parents’ way of educating Loho, it must be the same as the Nazis. Choosing a teenage girl's adolescence, choosing a dark room full of dangers to escape, the whole movie is a too strong metaphor. The road to escape is shrouded in the shadow of death, and there are also uninvited guests. For girls of this age, two younger brothers and one younger sister My sister also has a baby, and Luohe wants to complete the escape on her own, which is obviously impossible. If the road to escape was that simple, then "Girl Loho" would be a little fresh movie that doesn't fit in well. At this time, the boy appeared in a dark corner, and they completed their first exchange with each other with mistrust and suspicion, and then quickly acted as a leader. When calm, there will be a scene of a boy hanging upside down from a tree looking at Loho. The literary romance is so tight-so that there is an illusion of incompatibility. If you think deeper, this kind of passing scene is also a portrayal of the differences in the identities of the two people. When it was fierce, the audience was waiting for the boy's action to complete the blood and light disaster that was inevitable. Putting a group of children in such an environment, the direction in which the balance is tilted is quite clear. It is worth mentioning that the performance of the two young actors is quite good, at least the kind with style and personality, there is a lot of room for development, you can pay attention to. They are not like some films where the casting fails, the actors appear jumpy when they appear in the film, completely out of context. Moreover, children and babies who are younger than the starring actors are also very impressive, especially the babies who cry and cry. I believe that the audience who have seen them are very impressed. Generally speaking, due to the heavy theme of "The Girl in Loho", I would think that it is a movie full of more designs, like the cry of a baby, like a group of children's escape group, like escaping from destruction and walking towards The road to growth. Perhaps, in the eyes of the director, reaching the end, the accident of the younger brother, or even the collapse of faith is not a real blow. Loho's love for the boy, her resistance, hesitation, and entanglement are the real and late coming-of-age gifts. In some movies with failed castings, the actors appear to be jumpy when they appear in the film, completely out of context. Moreover, children and babies who are younger than the starring actors are also very impressive, especially the babies who cry and cry. I believe that the audience who have seen them are very impressed. Generally speaking, due to the heavy theme of "The Girl in Loho", I would think that it is a movie full of more designs, like the cry of a baby, like a group of children's escape group, like escaping from destruction and walking towards The road to growth. Perhaps, in the eyes of the director, reaching the end, the accident of the younger brother, or even the collapse of faith is not a real blow. Loho's love for the boy, her resistance, hesitation, and entanglement are the real and late coming-of-age gifts. In some movies with failed castings, the actors appear to be jumpy when they appear in the film, completely out of context. Moreover, children and babies who are younger than the starring actors are also very impressive, especially the babies who cry and cry. I believe that the audience who have seen them are very impressed. Generally speaking, due to the heavy theme of "The Girl in Loho", I would think that it is a movie full of more designs, like the cry of a baby, like a group of children's escape group, like escaping from destruction and walking towards The road to growth. Perhaps, in the eyes of the director, reaching the end, the accident of the younger brother, or even the collapse of faith is not a real blow. Loho's love for the boy, her resistance, hesitation, and entanglement are the real and late coming-of-age gifts.
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