Before meeting the male protagonist, Lockhe had always been proud and reserved. As the official eldest lady, she doesn't need to think about this much. After the fall of the Nazis, mother and father left. She has always maintained her pride and "benefit." When shopping at a neighbor’s house or exchanging food with ornaments while fleeing. Appreciate her arrogance. Even if no one appreciates it, living to an age does not need the affirmation of others to prove his existence. If it were me, like her sister, I would feel that giving two pieces of jewelry is too much. We live in a life of caress all day, and wear out the vitality and atmosphere that should have been. ,
To the male protagonist is resistance, doubt, temptation and then dependence and acceptance. When resisting, he would evade and leave in a hurry when he knew that he was behind him at any time, suspecting that he had a desire for her and used his body to pay for the action. I knew he would follow after him, and she knew too. She is persistent, independent, stubborn and proud. His feelings were deeply ingrained in getting along with her. If what he cherished in the abandoned house was desire, now he was unconscious and deeply attached. Dependence is to cry for the first time when he leaves and hug him to ask him to stay, and the excuse is to be her brother's elder brother.
I don't know if she would feel regretful when she knew that her brother took his pass and prevented him from reaching the finish line together. She doesn't understand him, he doesn't understand her.
I cannot use rigorous and profound historical knowledge to dissect this realistic film. Although I know what he is expressing.
Love is only the tip of the iceberg, if the end of the film can arouse our reverie.
I am willing to believe that there will be a train to take him back.
We will see you elsewhere.
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