Perhaps it is because the spirit is not sound enough, but it remains sensitive to the society we are used to. When others succumbed to finding the way to survive, Shi Chuxi pointed out the nature of the incompatibility sharply. Mental torture and physical torture are the same, even more cruel.
There are incompatible people in society at any time, just like sand. The director may be a mussel, who turns sand into pearls.
Several scenes in the movie shocked me. In the hospital, the doctor showed the amazing grip strength of the premature baby. This kind of human instinct needs caress. The doctor then kissed the baby's ear to coax him to sleep, and then the baby in the incubator.
When Schuxi was in Germany, he played the accordion alone in a patio.
When they first arrived in the United States, the three of them squeezed into the window of the car and drove in the sunset.
Shi Chuxi, who had lost the house, turned his back to the camera, and the house was pulled away in front of him. In an instant he faced a desolate wilderness.
At Shi Chuxi's last stop, Shi Chuxi held the turkey and left with a gun, and the truck kept spinning around in place.
Ride on the empty cable car.
The camera is focused on chickens, ducks, and rabbits for a long time.
The last turkey Shi Chuxi had been holding was strange.
What a good movie needs is to put the characters in such a scene, that's enough.
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