The whole film is full of cowardly and shameless irony of reality. A small island and a family are a disaster. Women are a disadvantaged group. The film enlarges the cross-section of this group. The male is a kind of erosion in it. It constitutes more than one kind. Physical assault and mental ravages are the most terrifying. When Jin Funan has become accustomed to this perverted life, Huiyuan’s appearance is like a fuse, igniting this long-standing fire. , We can see a lot of our own shadows in the film, as if we in life have no more conscience than the people on the island. The deeper point is caused by life. Without ten thousand, we will lose our only labor and life. So they choose to shelter them, save their selfish dependence. The ugliness of human nature is pressing every step. The director uses thought-provoking lines to satirize our attitude towards life. It was the honey that Funan had worked so hard to obtain. It is said to be so easy and easy to get.
In fact, everyone can see the sad past, but it is Funan's turn again and again with fate. She originally chose to accept everything but decided to blaze a trail because of the safety of her own daughter... ...
This is not a thriller or a horror movie, but the director brings about the same effect as it is. In fact, reality is the most terrifying portrayal. Only by facing its existence can you redeem your soul.
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Kim Bok-nam salinsageonui jeonmal reviews